Streetfash

Fashion Online: We Heart Aussie Bloggers

Thu, 10 Nov 2011 01:43:00 GMT

We take a look at some of our favourite established and emerging Australian bloggers.

Oh how the world of fashion is changing. Just this year we’ve seen QR codes and Instagram invade the fashion industry, Kanye released his first collection, apparently bum-bags are in and sky-high pumps are out, and now they’re telling us that Bloggers are the most influential people in the fashion industry! Well I’m not so sure I agree with bum-bag fashion craze, but there’s no denying that Bloggers are quickly becoming the go-to people for fashion advice and inspiration.

Here at Streetfash, we love reading your blogs for the incredible outfit posts, style inspiration, and to swoon over your latest and greatest purchases. We know that you guys are in-the-know when it comes to fashion and we want to share the love. Since we are all about celebrating our finest homegrown fashion talents, we thought we would share some of our favourite local Bloggers (in no particular order). Some are professional bloggers, some are just starting out, but we think they are all amazingly talented and certainly worth a follow. Looks as though Sydney is giving Melbourne a run-for-their-money as the most fashionable city!

Through The Looking Glass 
Location: Melbourne 
Who: Giang Cao 
Why we love it: For the incredible photo documentation of people and places in Melbourne.

Il etait une fois 
Location: Melbourne
Who: Bianca Nardo 
Why we love it: For keeping us up to date on all of the latest happenings in the wonderful world of fashion. We especially love it when she throws in an outfit post.

All About Edie 
Location: Sydney 
Who: Mollie Stevens 
Why we love it: For her outstanding ability to mix high fashion staples with affordable trending items. Plus, she always looks oh-so-chic. This girl is one to watch!

Your Only Black Swan 
Location: Sydney 
Who: Lauren Hernandez
Why we love it: For her fun, vintage-inspired outfit posts, and photo diary type posts.

Modern Legacy 
Location: Someone let us know! 
Who: Kaitlyn 
Why we love it: A law student with impeccable street style, flawless grammar (how refreshing) and a heck-of-a-lot of amazing shirts! We love her effortless chic look and vintage ensembles.

Dear Mr. Cat 
Location: Sydney
Who: Brittany Ferns
Why we love it: For her adorable illustrations and artwork, her beautiful inspirational image posts, and previews of her new clothing label Otto Mode. Bookmark this site, she’s going to be huge.

Confident Liar 
Location: Sydney 
Who: Nicole Cooper 
Why we love it: Well her profile reads, “An extremely broke photography student, who can barely afford the bus home yet still manages to buy film.” We love it! Do yourself a favour and check out her beautiful photography. Enough said.

A huge thank you to Kaitlyn from Modern Legacy, Bianca from Il etait une fois , and Lauren from Your Only Black Swan for your gorgeous images.

Words: Christie Sinclair

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Fashion 2011: The Last Time I Saw Matilda

Tue, 08 Nov 2011 00:09:00 GMT

The Last Time I Saw Matilda, Absorb’s latest fashion film collaboration with fashion photographer Justin Ridler captures model Matilda Price in looks from some of Australia’s favourite homegrown independent designers.

In a meandering collection of Ridler's images, we see stunning garments from Fleur Wood, Yeojin Bae, Arabella Ramsay, Day Birger et Mikkelsen, Mezi and accessories by Mania Mania as a young, free-spirited girl wanders about the sundrenched countryside of the rugged headlands in NSW.

Described as, “an ode to fleeting memory and the beauty of lasting encounters,” the film translates the elegant yet uninhibited styling of stylist Chiara Bianchino and the exceptional photographic style of Ridler into a beautiful, ethereal short film.

Video: Justin Ridler
Stylist: Chiara Bianchino
Photographers Assistant: Emma Caldwell
Makeup & Hair: Chereine Waddell
Model: Matilda @ Priscillas
Music: 'Thistled Spring' by Horse Feathers

Words: Christie Sinclair

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Fashion 2011: Twin by Absorb

Mon, 07 Nov 2011 22:28:00 GMT

Absorb have teamed up with talented photographer Hyun Lee and sisters Maddison and Tierney Stockford from Priscillas to produce another absolutely gorgeous fashion film titled, ‘Twin’. The eerie film suggests the parting of the two sisters and captures the young models in an assortment of beautiful garments from Justine Davis, Suboo and graduate designer Lisa Barbaro. Accompanied by an original score by composer Shea Duncan, the entire production is exquisitely haunting and a brilliant collaboration of creative talent.

Photographer: Hyun Lee
Stylist: Chiara Bianchino
Makeup: Chereine Waddell
Hair: Doran Lu
Models: Maddison and Tierney Stockford, Priscillas

Words: Christie Sinclair
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Buy Nothing New Month

Thu, 27 Oct 2011 09:02:00 GMT

How often do you splurge on new clothes? Once a month? Once a week? Twice a week? Four times a week even? We’re all guilty of over indulging and over spending from time to time, but have you ever stopped and thought about how much you could save if you were to forgo that habit of purchasing an item of clothing once a week? Have you ever thought about the alternatives to purchasing new products, or where the product may end up when you have finished with it?

During the month of October, the Buy Nothing New initiative encourages the reassessing of your spending habits. It’s about cutting out the unnecessary energy in your life, not going without things you need. It encourages you to source possessions from alternative places; begging, borrowing, thrifting, swapping, exchanging and recycling is ideal, just as long as you ensure you don’t purchase anything new. Of course you’re permitted to buy food, drink, medication and any essentials, but keep in mind you must shop for things you require, not what you desire!

Buy Nothing New Month was established to remind consumers to really think about and weigh up their wants versus their needs. It’s also about making a conscientious decision about the products we buy, where they come from, where they end up, and whether there are any alternatives, in order to challenge the issue of over consumption.

The whole concept may sound a little radical, but when you consider Australians spend tens of billions of dollars each year on unessential items, and 20 billion tonnes of waste ends up as landfill, you can see why we all desperately need to reevaluate our spending habits.

Not only will you save money buy pledging to Buy Nothing New this month, but you can also save loads of time by simply shopping for the items you need. It makes sense! So resist the temptation to shop til’ you drop, cancel your virtual shopping cart, and stay away from malls, and get amongst the non-spending movement by pledging your allegiance to Buy Nothing New Month.

October is almost over but it’s never too late to implement changes to your spending habits. Did I mention there are also loads of awesome prizes to be won including $5000 cash? Plus it's a great cause. Are you up to the challenge?

Words: Christie Sinclair

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Fashion 2011: We are Handsome Fashion Film by Absorb

Wed, 19 Oct 2011 05:50:00 GMT

Absorb’s latest short fashion film collaboration showcases the SS11 range by Aussie designer swimwear label We Are Handsome. Get ready for a vivid, polychromatic montage of 80’s film and television references, lots of glitter, and some seriously cool swimsuits. Can you believe it was shot in the middle of a Westfield shopping centre using mobile phones? Check out the film and these awesome images from the shoot by James Nash.

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Fashion 2011: What Happened to Customer Service?

Wed, 19 Oct 2011 00:23:00 GMT

I’m sure you’re aware of the recent shifts in consumer buying behaviour; our smaller boutiques and labels are suffering at the hands of international online rag-trader giants as Aussies turn to overseas markets for a competitive deal. Now more than ever, our independent designers need support to keep them afloat in this current retail crisis.

So what's the appeal in purchasing independent fashion? We discussed the difference in quality and exclusivity in Series One of our Independent Designer articles. But what about good old-fashioned shopping? I’m not talking about trawling through website after website, online store after online store. I know it’s rather convenient to shop online at times, especially when it means you don’t have to immerse yourself in a car-park battle or even get out of your pjs, but lets not forget the physical experience of shopping. Online shopping is a great way to browse products and help us quickly find what we are looking for, but the disconnection and lack of physical interaction only increases the difficulty choosing your product and post purchase dissonance.

Phoebe Garland, co-owner of Garland & Garland Fashion, a leading Sydney-based fashion agency believes we need to recognise the contribution independent fashion has made by reinforcing the personal service and the wonderful relationships you can have with the smaller boutiques and buying from Australian retailers.

“These smaller retailers have contributed significantly to building these multinational apparel companies. And, these are the retailers that are really suffering. They simply do not have the luxury of operating on the higher margins the chains stores and vertical operators do and they have quite often been lining the pockets of the big apparel companies for years,” she said.

Customer service is a notion most of us have consigned to oblivion now that we have the option of online shopping, but it plays a very large role in customer satisfaction and positive brand image. The physical connection between the consumer and a product is imperative, and it is the customer service that can help facilitate a positive outcome in the end.

It seems department stores and large fashion retailers pay little attention to customer service, which is interesting considering the vast competition from online stores and overseas e-boutiques. So if you are after knowledgeable and friendly staff who virtually live and breathe fashion, head to smaller boutiques and independent retailers.

There is nothing quite like stepping into your favourite boutique and knowing you will be greeted, assisted and treated like a friend rather than a potential buyer. You won’t have to search five floors and numerous un-manned counters, or have to deal with stroppy sales assistants who are more interested in simply making sales than helping you find the perfect garment. Although boutiques generally employ less staff, this allows more time for training and ensuring they employ the ideal candidate for the job.

Skill shortages are also not a problem as many independents employ ‘stylists’ as opposed to sales assistants, whose role is to assist the customer in finding the perfect garment using their broad knowledge of fashion and the particular brand.

Celebrity Stylist, Amber Renee agrees that stylists can drastically enhance the shopping experience by providing independent, educated advice to assist the consumer in selecting the best possible garment in the least stressful manner. She also notes that stylists advice is generally not biased as they are not pressured by sales targets or under any conflict of interest.

“If the stylist is educated on body shapes and skin tones they can provide advice that relates directly to that customer – rather than show what’s been the ‘best seller’ or ‘what everyone loves’.”

Words: Christie Sinclair

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Fashion 2011: Runaway by Absorb

Tue, 04 Oct 2011 04:32:00 GMT

Online fashion-media website, Absorb presents 'Runaway', the beautiful new fashion film about a runaway who discovers the wintry rural countryside in a selection of Autumn knitwear by the likes of Ginger and Smart, Jessica O’Conner, Pol Design, LuLu Rouge, Sabatini and Christopher Esber.

Starring model Angelique from EMG and filmed by Costa Vakas, the film was shot amongst cattle and llamas in fields surrounding the rural town of Berry, just a few hours south of Sydney.

To accompany the short, photographer Rodney Ye also captured a series of alluring images of the shirting and knitwear story titled, 'Journey the Fields' (pictured above).

Film: By Costa Vakas 
Stylist: Chiara Bianchino 
Makeup: Chereine Waddell
Hair Stylist: James Nash
Model: Angelique from EMG

Words: Christie Sinclair

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Fashion 2011: Fighting Fast Fashion Every Fashion Week

Wed, 28 Sep 2011 01:31:00 GMT

Australia has an extraordinary independent fashion scene. The young emerging designers we saw at MSFW recently did not disappoint, with many showing signs of promising careers. At a time when Aussie retailers are flailing within a market that shows no signs of budging, independent and emerging designers need our support now more than ever. It’s crucial the fashion community gets behind our independents, or risk loosing them to international retail giants such as ASOS, Zara, Topshop, H&M and Urban Outfitters.

Let us consider how some of our favourite designers began. Prominent labels such as Arnsdorf, Thurley and Dhini did not materialise overnight, and their success most certainly cannot be attributed to luck. Aside from devoting countless hours to the development of their labels, access to support networks and backing from industry professionals proved crucial in leveraging their brands. Keep in mind, many young designers lack access to funding, thus inhibiting their ability to reach out and connect with consumers. Without the support of third-party organisations, many of our favourite brands would cease to exist. But thanks to the rise and the current popularity of fashion festivals, events and online forums, our independent fashion community can now breathe a sigh of relief.

It sometimes seems as though fashion festivals such as MSFW, RAFW and LMFF exist for the promotion of established designers, for VIPs, celebrities and the fashion elite to swan around in their high-end designer ensembles. I’m not going to deny, this element of fashion festivals does interest. However did you know such festivals are strategically planned to help bridge the gap between our independent designers and the public?

Program Director of Fashion at RMIT and Former Director of LMFF, Karen Webster believes events such as LMFF have helped shape Australian fashion.

“The fashion industry here in Melbourne and in Australia is in a very different place now. I think we have a really buoyant and dynamic independent designer market. Now you can base yourself in Melbourne and sell to London and Paris. That can only happen if we win the hearts and souls of people in the street, if they feel good about fashion,” she said.

Making it within the fashion world is challenging enough, but to survive, flourish and stay afloat is another thing altogether. Fashion festivals and online communities such as Streetfash have helped spur a backlash against fast-fashion and the poor quality of garments manufactured by ubiquitous retailers. We have noticed a transformation in the local fashion industry in attempt to offset this movement. The quality of independent designers products is only increasing as backing within the industry and general community grows. The challenge is to steer consumers away from accepting inferior quality clothing and to stamp out that ‘disposable’ mentality of the fashion industry, by educating and promoting our diligent homegrown designers. Otherwise they will be completely overlooked.

We must applaud the independent fashion community and their support networks on their efforts in keeping the art of fashion alive within this country. Support your local independent fashion.

Words: Christie Sinclair

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How You Can Benefit From Independent Fashion

Wed, 21 Sep 2011 07:43:00 GMT

We have seen an enormous shift in consumer buying behaviour since the concept of ‘Etail’ first rocked our shopping world, and the soaring Aussie Dollar has only added fuel to this very large fire. Australian retail sales are dwindling before our eyes as we charge towards offshore markets for a fashionable-bargain. While purchasing from an overseas online store all seems well and good in theory, have you ever really stopped to think about why that high-fashion retailer is offering you (and every-man-and-their-dog) such a seemingly great offer?

I have two words for you. Mass production. It’s all about churning out large volumes of product, at an absolute minimal cost, resulting in enormous revenue for manufacturers. So of course, something’s got to give. And it’s generally, (always) the quality. Not to mention the fact there are approximately five million other twenty-something women waltzing around in that very same, top. I don’t know about you, but that’s certainly not my cup of tea.

“What’s the alternative?” I hear you say. Get behind our homegrown Independent Designers. Sure, the attraction to shopping at retail giants lies in the premise of snagging a bargain or two, but if you consider yourself a bit of a fashionista, quality and exclusivity will most likely outweigh the cost. But don’t be disheartened; the word ‘designer’ is not always associated with ‘designer’ prices. You’ll find that many of our young up-and coming designers and even established independent designer’s collections are becoming rather affordable. After all, they are having to compete with chain stores and now overseas online retailers at a time when retail spending is at an all-time low. Thus, the proliferation of reasonably-priced designer fashion. This of course, is in relation to how the product is manufactured and the materials used.

Independent designers often manufacture in Australia as opposed to offshore. This ensures quality and also ethical workplace standards. The use of high quality fibers and materials is ensured when purchasing independent fashion- items are also likely to last longer and function as great wardrobe ‘staples’. Additionally, many garments by independent designers are handmade or have handmade elements, which ensures individuality and quality. As they say, “you get what you pay for” and if it is quality, uniqueness, comfort and beauty, then give those mediocre, rag-traders the flick in favour of our Independent Designers.

For an example of great independent fashion check out the amazing pics from Orri Henrisson's AW10 collection. Streetfash will be stocking Orri Henrisson SS11/12 when it drops in a few weeks.

Words: Christie Sinclair

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VIRR Fashion Film: 'Vanity of Wishes'

Tue, 13 Sep 2011 02:11:00 GMT

Australian accessory label VIRR joined forces with local film-makers, Nicolo Bianchino & Mark Trzopek to create a mysterious short fashion film, ‘Vanity of Wishes’ as part of the No Home Fashion + Film project in 2011.

Through beautiful hazy and unfocused representations, VIRR uncover the elusive beauty and often-ambiguous nature of those fleeting moments prior to a couple’s first encounter. The stunning film explores the intricacies of the emotions between a couple, and gives viewers the opportunity to discover hidden meanings correlating with words and events of the film. Thus, offering a chance to reflect on ones own personal perspective of the imagery and poetry.

Shot in a room of a quintessential Aussie pub in Sydney, the film reveals an old-world and esoteric philosophy, carried by the narration of the great English poem, ‘The Vanity of Human Wishes’, which was the influence behind the VIRR’s current accessory range.

The film features exquisite pieces from VIRR’s latest accessory collection, some of which are now available from Streetfash.

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Words: Christie Sinclair

MSFW RMIT Student Exhibition

Wed, 07 Sep 2011 11:09:00 GMT

Today marked the opening of the RMIT Student Exhibition at the No Vacancy Gallery, as part of the MSFW Emerging Designer Series. The exhibition titled 3 ¾, puts the spotlight on the designs of 16 talented final year RMIT students, who have the opportunity to present their own experimental, theoretical and abstract expressions of fashion and design.

Rather than showcasing the final product of fashion design in the form of garments in a collection, the exhibition celebrates the entire design process, emphasising the need to challenge the ‘conventional’ representation of fashion. Students were encouraged to experiment with a range of design processes, which are documented in the spectacular installations, animations, images and sculptures on display at the No Vacancy Gallery.

It’s clear these students know their stuff; just listening them explain the purpose of their remarkable works was inspiring, let along having the opportunity to experience first-hand, the sheer merit of their work. You will be hard-pressed to find a group of students as passionate about their craft as these budding fashion designers.

Alana Hersh’s design statement titled, ‘Textilis’ explores the amalgamation of architecture and fashion from 2D to 3D, in the form of a stunning silk/organza installation.

“I’ve used a range of techniques such as weaving, crocheting, pleating, braiding and knotting to discuss the idea of decoration and surface, and to determine whether decoration is superficial or if it can be embodied,” she said.

Those who question the substance of the fashion industry and fashion design as a trade, will most certainly be proven wrong upon viewing the incredible student exhibits. It is obvious that hours upon hours of painstaking labour, planning and speculation have gone into the development of the 16 creative displays, of which are all stunning representations of fashion as an expressive medium. Perhaps the exhibition helps explain the paradox of the frivolity of the fashion industry, through the attempt to encourage individuals to engage with fashion in a new and different way.

Student Meghan Hutchens explored this very notion in her exhibit titled ‘Fashion Image’. Through a series of images and stills, Hutchens unpacks the fashion process to demonstrate the crucial stages of the design process. From conceptualization, to interdisciplinary collaboration and communication, she explores the notion of fashion as, “everything but the garment.”

The MSFW RMIT Student Exhibition gives students the unique opportunity to not only present their inimitable works and designs in a public forum, but to also test their individual design concepts for their potential to create a collection in the future. This is a free event, open to the public from Tuesday 6 September to Sunday 18 September.

Melbourne Street Fashion is a proud supporter of the Spotlight MSFW Emerging Designer Series. To celebrate our support of the Emerging Designer Series, we're giving away two double passes to two MSFW 2011 runway events. But be quick, the prizes are held on Friday and Saturday!

Words: Christie Sinclair

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I Love Ugly: A Conventional Camouflage

Tue, 06 Sep 2011 06:17:00 GMT

New Zealand-based menswear label, I Love Ugly have kicked off their Spring 2011 collection with a bang, releasing an idiosyncratic collaborative short film titled ‘A Conventional Camouflage’.

The film embraces concepts of their latest range, also titled ‘A Conventional Camouflage’, inviting viewers into the quintessential I Love Ugly world of unique textures, patterns and unorthodox design

From its humble beginnings as a small T-shirt label, the label’s founder, illustrator and designer, Valentin Ozich has successfully transformed I Love Ugly into one of News Zealand’s leading menswear labels. The slightly eccentric take on classic pieces and designs has attracted a cult following; the label is now well known for obscuring the lines between fashion and art to create enduring collections, successfully bucking the transient nature of the fashion industry.

Designs by I Love Ugly are available now at the Streetfash online store here: I Love Ugly.

Words: Christie Sinclair

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RMIT Student Prize Winner 2011: Anisha Bhoyro

Sat, 03 Sep 2011 05:53:00 GMT

Congratulations to RMIT fashion student, Anisha Bhoyro who won the 2011 RMIT Student Prize as part of the Melbourne Spring Fashion Week (MSFW) Spotlight Emerging Designer Series.

The MSFW Emerging Designer exhibition is the first major public exhibition for the talented young Melbourne designer, who has been making and experimenting with clothes from an early age.

Bhoyro designed her collection, Precious Threads with the polarisation of the fashion world in mind. Her garments are based on the concept of reviving old-world values in order to impede the all too common notion of ‘fast-fashion’, and the disposable nature of the industry.

“I have developed a new system of garment cutting and construction based on manipulations of yarns within cloth. The resulting garments are intricate, precious pieces which oppose the throw away mentality of fast fashion,” said Bhoyro.

Her creations are carefully constructed to deliver a unique and elaborate aesthetic, of which demand closer inspection in order to discover the, “intelligent, refined and understated luxury.”

Influenced by film photographer Rodney Smith, and inspired by the elegance of certain people in her life, Bhoyro hopes her unique designs will not be compromised by the mainstream disposition of the fashion industry, in the future.

“In three years I hope to still be learning, designing, creating and perfecting my craft. I hope that I will not fall into a position where the commercial side of the fashion industry overtakes my design passion,” said Bhoyro.

Bhoyro won the prestigious award after presenting her collection at the launch of the MSFW Spotlight Emerging Designers Exhibition, at 1000 Pound Bend in Melbourne on Monday 29 August. The prize includes an all expenses paid trip to Milan where she will undertake an internship with a renowned fashion house of her choice, before returning to MSFW next year to fulfill her duties as the 2012 RMIT Student Ambassador.

Melbourne Street Fashion is a proud sponsor of the 2011 MSFW Emerging Designer Series. Events of the series include:

Spotlight Emerging Designer Exhibition (29 August – 11 September) – 1000 Pound Bend
Spotlight RMIT Student Exhibition (6 – 18 September) – No Vacancy Gallery
Spotlight RMIT Student Runway (10 September – 6.30pm and 9pm) – Melbourne Town Hall
Spotlight RMIT Alumni Exhibition (5 – 11 September) – Lobby, Grand Hyatt Melbourne

Words: Christie Sinclair
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Livia Arena: An Introduction

Tue, 30 Aug 2011 04:19:00 GMT

Livia Arena's latest collection is now available through the Streetfash online store.   

Melbourne based designer Livia Arena’s second collection, ‘The Gathering’ is the product of a collaboration with Melbourne jeweller Deirdre Hoban. Inspired by Hoban’s use of washed-out tones and their mutual admiration for the aesthetics of each other’s designs, the pair have created a classic yet feminine Spring Summer 11/12 collection, incorporating elements of both labels.

“Deirdre and I were introduced to each other by a mutual friend and we threw the idea about for a while. Then all of a sudden, we were working on the Summer collection together. I think it just seemed like a normal thing to do, especially when you consider that we’re both kind of just starting out and I guess it’s easier to collaborate at that point,” said Arena.

The first Summer collection from the Livia Arena label includes beautifully tailored pieces, striking silhouettes and that signature Livia Arena subtle detailing which adds a little luxury to each piece. The partnership of the two designers has certainly given Arena’s designs a fresh perspective, her latest line emanating a strong feminine aesthetic whilst maintaining her prominent classic style.

Although she admits to being cowardly with colour, Arena saw Summer as the perfect opportunity to offset the typically clean lines of her own designs, by referencing Hoban’s soft colour palette.

“I was immediately taken by her sense of colour. I am really reluctant to use colour, but I was very aware that for Summer, colour is actually really important... I think it’s ended up being a lot more feminine than the clothes I create when I work alone,” said Arena.

It’s attention to detail such as the presence of the unique custom print, which makes this collection so distinctive and appealing. The colourful spotted print was the outcome of both artists’ desires to make the collection representative of the hand-made nature of Hoban’s work and the texture of her ceramics. The process involved Hoban creating a large spotted ceramic plate, which was then photographed and manipulated to form the repeatable print now a feature of this collection.   

The innovative collection is also composed entirely of natural fibres including high quality silk, cotton and linen, (and combinations of the three) making the clothing light, breathable and ideal for Summer dressing.   

After completing a Bachelor of Arts and a Bachelor of Science at Melbourne University, Arena enrolled in a design course at RMIT before taking a graduate job as a corporate banker. Thankfully, she finally gave into her creative side, thus began the namesake label Livia Arena. Although she felt a career in design conflicted with her previous education, it is clear her escape from the corporate world has inspired her design process; her collections an amalgamation of structure and uninhibited femininity.   

Words: Christie Sinclair
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Upper Left Arm: My Boyfriends Unreal

Sun, 28 Aug 2011 06:52:00 GMT

My Boyfriend’s Unreal is the first film project for Melbourne fashion label Upper Left Arm, released as part of the No Home project in Melbourne in March 2011.

While No Home encouraged the collaboration between local designers and film makers, Upper Left Arm’s charming short saw local designers Jac Eddy and Kasia Tons jump into the directors chairs to produce the fashion film on their own. The result, a playful and endearing depiction of a teenage love story, inspired by the imagination and lust of youth.

Exploring the theme of awkward adolescence from the label’s debut clothing range for Autumn/ Winter 2011, ‘Wag it’, the film captures the naive and funny moments of teenage lust both real and/or imagined. Harmony Byrne captures the adolescent inspiration of ULA’s designs brilliantly through her role as the romantic juvenile lead, her cheerful grin and spirited air resonating with the youthful attire.

Eddy and Tons demonstrate their raw aesthetic style through the filming, colourful make-up and accessories which melds perfectly with the backdrop of beautiful music by Brunswick musicians Oscar + Martin. This quirky story about a girl and almost a boy certainly gives context to the label’s signature designs.

Directors: Jac Eddy and Kasia Tons
Producers: Jac Eddy and Kasia Tons
Cast: Harmony Byrne and Lachlan Beggs
Music: Oscar + Martin (represented by two bright lakes)

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No Home Fashion + Film Project: Now Scouting Creatives

Fri, 26 Aug 2011 04:59:00 GMT

Are you a local designer or filmmaker interested in joining Australia’s national fashion + film project?

No Home is currently calling out for independent creatives to express their interest in participating in the fashion and film revolution in 2012 at nohome.tv/collaborators.

Screening around Australia in 2012, No Home fashion + film project launched in 2011 to start a revolutionary conversation about fashion, as well as interaction between consumers and the fashion and film industries. While film has long incorporated elements of fashion, the direct unification of both mediums is relatively new. No Home creates a platform upon which fashion can become the center of film, encouraging design and filmmaking talent to express their creative ideas in alliance.

Last year saw outstanding collaborations between some of Australian’s most talented emerging designers and filmmakers, including Streetfash's own Orri Henrisson with Liam Gilmour, VIRR with Nicolo Boanchino & Mark Trzopek and Upper Left Arm. There were also contributions from international parties Athena Procopiou and Scott Altman, and ACNE and Daniel Askill.

Successful designer and filmmaker submissions will pair with their creative counterparts to bring to life a short film, working together to direct the project from start to finish. No Home is also asking for interest from actors, stylists, hair and make-up artists and photographers to assist in a collaborative capacity with the production side of the filmmaking process.

To express your interest in participating in No Home 2012, head to nohome.tv/collaborators before 15 September 2011.

Words: Christie Sinclair

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Orri Henrisson: First Snowfall in Montreal

Thu, 23 Jun 2011 23:34:00 GMT

Orri Henrisson's first fashion film First Snowfall in Montreal is a collaboration between the label and Melbourne filmmaker Liam Gilmour. The fashion film was first released as part of No Home in Melbourne in March 2011.

The film depicts a timeless and barren wasteland and a fractured narrative of two characters portraying vastly different emotions, whose lives intersect, all be it briefly. The film attempts to show the power of image as opposed to linear storytelling, specifically focusing on light and the hard contrasts it presents.

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Learn the Art of Fashion Illustration

Wed, 06 Apr 2011 10:40:00 GMT

Learn the art of Fashion Illustration from scratch, or take your Illustration talents to new levels, with boutique-style Fashion Illustration classes at The Patsyfox Drawing Salon.

Teeny tiny classes taught by Angie Rehé, creator of the Patsyfox illustrated blog and lecturer in Fashion Design and Illustration at RMIT University and the Whitehouse Institute of Design.

The next 8-week courses begin on April 19th (Introduction to Fashion Illustration – covering all the most important principles of Fashion Illustration), and April 21st (Creative Fashion Illustration – an ongoing advanced level which continually expands and builds on your existing skills).

These unique classes are held in the creative environment of Fashion designer Nevada Duffy’s studio/retail space in Fitzroy.

Learn, be inspired, have fun.

Enquiries: salon@patsyfox.com
More info: www.thedrawingsalon.com

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Trimäpee's Fall 2011 fashion film

Tue, 29 Mar 2011 04:11:00 GMT

TRIMÄPEE’s FALL 2011 fashion film 'Birth' is an incredible collaboration between the Melbourne label and renowned Australian fashion photographer Christian Blanchard and Filmmaker Steven Protuder.

The film focuses on creating a beautiful serene mood and utilises amazing post-production effects. TRIMÄPEE’s FALL 2011 Collection “Umbilical Ventriloquial” is inspired by birth. From the intriguing way an offspring grows and feeds, to the uncanny bond which is shared; TRIMÄPEE explores the physical connection vs. the innate connection between mother and child.

With a team of over 30 people, the cast and crew bring to life an amazing interpretation to the minds and concept of the TRIMÄPEE designers.

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Street Fashion: Fashion Week 2011 part 2

Sat, 19 Mar 2011 02:43:00 GMT

The second installment of street fashion from fashion week 2011, captured outside the L'Oréal Paris Runway 6 at Docklands.

Photos by Eddie New.

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Street Fashion: Fashion Week 2011

Sat, 19 Mar 2011 02:34:00 GMT

The first installment of street fashion from fashion week 2011, captured outside the L'Oréal Paris Runway 2 at Docklands.

Photos by Eddie New.

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No Home 2011: The fashion and film revolution begins

Tue, 29 Mar 2011 04:11:00 GMT

No Home 2011 is a fashion and film project making way for a revolutionary new era of conversation within the creative world. Launching as part of the L’Oreal Melbourne Fashion Festival Cultural Program on March 7 at the Australian Centre for the Moving Image (ACMI), No Home will showcase original short films from some of Australia’s leading and emerging fashion designers and filmmakers.

The name, ‘No Home’, is derived from the lack of a platform for the blossoming world of fashion film - something this new project will dramatically change.

No Home’s team of filmmakers and designers have joined forces to share their inspiring and inspired ideas with us – all via the moving image medium. Each design and filmmaking partnership will produce a short film running between 2-5 minutes, with the only content requirement being that they steer far from promotional or ‘lookbook’ oriented visuals. The result will be a greenhouse of exciting fashion-film creativity.

Australian designers partaking in No Home 2011 include: Above; Carly Hunter; Alexi Freeman; Limedrop; Arabella Ramsey; Orri Henrisson; VIRR; Beat Poet; and SOSUME.

Australian filmmakers include partaking in No Home 2011 include: Adam Murfet; Jess Oldfield; Nicole Bianchino; Alex Goddard; Liam Gilmour; Nicole Rose; Alex Watkins; Lorin Askil; Tom Blachford; Chase Burns; Mark Trzopek; Yianni Warnock; Jac Eddy; and Kasia Tons.

These local names are joined by special international submissions by ACNE (FW11 – “Concrete Island” by Daniel Askill) and Athena (kaleidoscopic film – “The Island” by Scott Altman, featuring music by The Velvet Underground). Director Scott Altman is a UK filmmaker, his background in animation and with MTV assisting his prolific directing skill shown today. Daniel Askill has also joined the line up, his acclaimed work including his successful joint project, Collider, as well as films for his brother, designer Jordan Askill, and brands like Dior.

For full details and tickets, visit nohome.tv

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Become a fabulous Fashion Illustrator!

Fri, 26 Aug 2011 05:01:00 GMT

Learn Fashion Illustration from scratch, or take your illustration talent to a new level, with boutique-style Fashion Illustration classes at The Patsyfox Drawing Salon.

Teeny tiny classes taught by Angie Réhe, creator of the Patsyfox illustrated blog (www.patsyfox.com), and lecturer in Fashion Design and Illustration at RMIT University and the Whitehouse Institute of Design.

The first 8 week course for 2011 begins on February 15th (Introduction to Fashion Illustration) & 17th (Creative Fashion Illustration - ongoing advanced level).

Classes held in the creative environment of Fashion designer Nevada Duffy's studio/retail space in Fitzroy.

Learn, be inspired, have fun!

Enquiries salon@patsyfox.com More info www.thedrawingsalon.com

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Blank Space Art Gallery shows Twelfth Letter's fashion

Tue, 29 Mar 2011 04:12:00 GMT

Last December The Twelfth Letter transformed Blank Space art gallery at Sydney's Crown street into their first temporary store, capturing the artistic simplicity that the emerging label explores.

Mirroring a real life version of their High Summer look book, the cement floor was covered with draped canvas sheets of which gradually became more rugged throughout the week as the crowds became apart of this exhibition store.

With hand made clothes racks and strong natural colour palettes flowing throughout, we can expect to see more of the likes as we step into the year of twenty eleven.

The boys from The Twelfth Letter made sure we put a special shout out to everyone at Drinkworks as the fashion show wouldn't have been the same without the ice cold Tiger Beers and tasty tasty Monteiths Cider.

Check out The Twelfth Letter online store here.

XII Pop Up Store at Blank Space from Michael Tyson on Vimeo.

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The New Streetfash!

Wed, 02 Feb 2011 21:26:00 GMT

Welcome to the new Streetfash!

As you know, over the years we have made it our mission to promote and improve awareness of young, independent and emerging fashion and to encourage communication and partnerships within the industry. We're proud of the success we've had doing so, and its awesome now to be able to let you you know about the next step in that journey.

Streetfash now publishes three editions focusing on fashion, art and beauty: the main edition Streetfash, Melbourne Street Fashion (Melbstreetfash for short) and Sydney Street Fashion (Sydstreetfash for short).

For those of you running businesses, we’ve made it super easy for designers, retailers, bloggers and freelancers to connect with readers through the Directory. You'll need to sign up, your profile will gain you access to our media and marketing campaign information and link you to the rest of the Streetfash businesses community.

Because we believe in creative fashion and individual style we are always on the hunt for what is new and exciting. That means we welcome your feedback, thoughts, ideas and general love. Get in touch via our Community or on Twitter: we’re always lurking there but know that you are too.

We’ll be on holidays until 10 January soaking up the summer rays in time to bring you plenty of Streetfash for the new year.

@streetfash
@melbstreetfash
@sydstreetfash

ps: Standby also for our top secret Streetfash LIVE edition we will be unveiling in January next year.

Photo by Max Sanderson

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New Fashion: Top Knots

Wed, 15 Dec 2010 22:50:00 GMT

New fashion alert: top knots. While this hairstyle is most often associated with classically delicate ballerinas and tiny tulle-skirts, we have been delighted to see its application twisted on our streets.

We've already seen this new fashion in the form of undercuts, but in its modern incarnation streetstylers have embraced its ease of use. With varying degrees of neatness, it's easy to assemble and as versatile as your ensemble: what is there not to like for both lasses and lads.

Words & photos: Cheryl Lin

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RMIT Fashion Show

Fri, 10 Dec 2010 00:29:00 GMT

After the incredible work from the RMIT Graduate fashion show that Melbourne Street Fashion had the pleasure of seeing at Melbourne Spring Fashion Week 2010, we were all so excited to see what was install for next years graduates!

Melbourne’s historic GPO Shopping complex recently hosted an exhibition of third year work from RMIT fashion students. The event showcased their work for the year and giving us a taste of what is to come. The worked ranged from dresses, to swimwear, from elegant ready to wear to chaotically creative pieces. The quality of the work was impressive, as people have come to expect from RMIT, with students so advanced in only their third year, next years Graduate show is bound to be something else.

Words and photos: Max Sanderson

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Summer Fashion: Shona Joy

Thu, 06 Jan 2011 02:55:00 GMT

Subscribe to Shona Joy and win a summer fashion wardrobe valued at over $600.

Shona Joy has gone viral! We are excited to announce that the label's website and online store have officially gone live. You can now shop the latest high Summer collection 'Heart of Glass' from work, home or your fancy iPhone.

In order to welcome you all to the little slice of online paradise, Shona Joy is giving away a Summer Wardrobe valued at over $600.

To go into the running just subscribe to the site by clicking the link below before December 15th. For every lady friend referred you get an extra entry into the draw. Winner announced December 17th.

Enter here: http://www.shonajoy.com.au/subscribe-and-win.

Advertising feature

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Fashion: Bam Brands A/W 2011 Showing

Tue, 07 Dec 2010 02:24:00 GMT

Streetfash were invited along to preview Bam Brands A/W 2011 showings and guess what? You have a sneak peak as well.

Photos: Phoebe Montague

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Limedrop Pop Up Shop Launch Party

Tue, 07 Dec 2010 00:55:00 GMT

Limedrop's temporary concept store is pretty-ing up Melbourne Central with suspended plants, grass, flowers and fashions hung in a summer-perfect greenhouse.

The official launch for Limedrop's temporary 'pop-up' store lured us out on Friday night. With us, a stylish, free-booze loving crowd helped turn Melbourne Central's tunnel walkway into a scene common of a Brunswick party: cool kids and plenty of street style gems (heck even Face Hunter man himself, Yvan Rodic was there!)

The shop itself, (which is modelled on a greenhouse) displayed the current collection and some pretty nifty accessories amongst suspended plants and a simplistically pleasing modular wooden racking system. Designed in collaboration with Georgina Armstrong and Pip McCulley of design studio, Wonder, the shop is certainly worth a visit- especially as it's only there for summer.

Limedrop's Pop Up Concept store is located at Melbourne Central, Level 2 Linkbridge (between Saba and Calibre).

Words & photos: Tilly Pearman

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New Fashion: Straw Hats

Tue, 07 Dec 2010 02:36:00 GMT

At the moment we're seeing straw hats all over the streets.

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Menswear: Aden

Tue, 07 Dec 2010 00:12:00 GMT

Aden Warrington is a true example of the "slash slash" generation. The creative 19 year who originally pinpoints his hometown as Manchester, England, has quite a fondness for the ubiquitous "/". He slips it in-between artist/ jewellery designer/ fashion designer/ model/ graphic designer and even taxidermist.

Changing his hair colour more times in a month than I have in- well- ever, Aden's changeable appearance is reflective of his resume that reads like a menu for an imaginative, eclectic feast.

We caught up with an (at the time) red-haired Aden to talk glitter, road kill and how Melbourne encouragingly supports a growing city of young, creative talent.

Q: You've been in Melbourne for 4 years now, how does it compare to the UK's creative scene?
A: I think Melbourne really strives to be the "next big thing" and because of that, Melbourne is really supportive of the "cool" industries such as fashion, art, music ect. This creates a big community of creatives that compete, yet at the same time support one another.

I personally feel that having a gallery show and my jewellery published in magazines at my age would have been a lot harder to achieve in a comparable city overseas.

Q: So, how would you describe what you do?
A: It's hard to specify on one aspect that defines me as there are so many. I recently landed a gig as a graphic designer for advertising consultancy, Avalanche Creative, but my true passions are in Art, Fashion, Taxidermy and Jewellery.

Q: How would you describe your work through these different disciplines?
A: For my Art I create sculptures out of taxidermy road kill and juxtapose it with tacky fake flowers and glitter. As for my interest in fashion, I'm currently working on a collaborative label with fashion designer, Ashley Chong. It's called Two Heads Are Better. Lastly, in jewellery, I'm starting a look book for a new range of necklaces and earrings made from clay, hair, silver and semi-precious crystals.

Q: Where do you find your inspiration?
A: Japanese artist, Nagi Noda is probably my biggest inspiration. She, too, dabbled in all number of creative endeavours from making video art to making wigs in the shape of animals. Sadly like many great people in the world she committed suicide, but she's definitely left an impact on me and a way to achieve things.

Q: A lot of your work includes using hair. Is there a reason for this?
A: Natural materials really interest me and I was originally inspired by Victorian mourning jewellery; how hair of a loved one was transformed into a beautiful piece of jewellery. Having said that though, I think that it's all a bit too dark and depressing so I like to take a new look on hair jewellery and play with it a bit.

Q: Can people buy your work?
A: Right now I'm in the process of building a website and creating a look book, which is proving to be a harder task then I first envisioned!

For now I post my purchasable work on my tumblr.

Words: Tilly Pearman
Photos: Adele Cochrane

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Fashion: Harry Wragg Vintage

Tue, 07 Dec 2010 03:14:00 GMT

Harry Wragg is one of the newest additions to the list of purveyors sourcing pre-loved clothing for lasses who enjoy individuality but do not have access to the wardrobes where these treasures are hidden. Stephanie Benedetti is the lady with such access and is honing her years of working in retail to bring Melburnians (and our lucky and welcomed visitors) a stately experience. Vintage leather armchairs imported from the UK set the tone for a shop that has regal leanings but with a good measure of construction tape punk to keep things real.

The offering includes polka dot pencil skirts in a variety of colours, blouses in quirky prints or delicate laces as well as a range of new rabbit furs which Benedetti has had specially made for the store. All are housed on racks which observant shoppers will note are hung within clever wardrobe murals. We liked the range of brass jewellery which in Melbourne’s typical six-degrees-of-separation fashion are made by the parents of a friend of a friend of Benedetti’s. The latest addition to the mustached-ladies at Harry Wragg is, Back to Black; an edited range of items in black to add depth to a first class wardrobe. And yes the lady-mannequins really are mustached, not for Movember but as a tongue-in-cheek homage to regal gents who liked to dress as ladies…

And that is what makes Harry Wragg truly unique; its concept. Rhymes abound the store windows and the Harry Wragg Facebook page to parlay its spirit of mischief. Another novel concept here is the invitation for customers and those-just-browsing to interact and leave their mark on the store; yes literally and not only sartorially. We much liked being handed a mini-canvas to decorate to our hearts content which was promptly put on display. For others who are pressed for time, there is still space and chalk for those who wish to autograph the Anyone Who is Anyone wall, which in these days of PINs on credit cards is really the only chance some get. All very clever for when we get invited to interact with a space, well, we cannot wait to get back!

Words & photos: Cheryl Lin

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Menswear: Orri Henrisson at Comeback Kid

Tue, 07 Dec 2010 00:48:00 GMT

Bobby, the King of Boy’s Town is the Spring/Summer 2010-11 collection from menswear label Orri Henrisson. The range is a dream for sporty (and not-so-sporty) boys who have wished to wear their basketball gear to High Tea with grandmama but can now do so in perfect style with-a-twist.

A tee in the sport-inspired collection features the mesh one sees in a high-performance basketball guernsey. Shorts and pants in the collection are two-toned; a clever latte base is contrasted with a vibrant electric blue, much like Dennis Rodman at one stage of his ever-changing coiffure but so much better. More formal attire comes in the way of structured shirts, expertly pleated, paneled and pressed. This is sportswear if Neopolitan icecream could be whipped fit to make the team. And a clever anorak seals the deal by being reversible; classic blue hues on one side and vibrant green on the inside, Astroturf never looked this lush!

Come spectate the style and take your pick of the team at the label’s pop-up shop; suspended from the ceiling at Comeback Kid (Level 1, 8 Rankins Lane Melbourne 3000). The pop-up store runs from 8 November to 20 November. Get in quick.

Words & pictures: Cheryl Lin

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Fashion Designer: Above

Tue, 07 Dec 2010 03:09:00 GMT

As we Melbournians wander the streets of this city we love so much, we often wonder what is happening behind the closed doors. On a quiet street in Fitzroy, behind a seemingly typical building front, fashion designers Kerry Findlow and Nyssa Marrow and doing something really quite special. They are the duo behind fast growing label Above. The work is unique, individual and personal, work that is designed to be worn in a way that reflects the person wearing it. This attitude to design is something that Melbourne fashion embraces, so its no surprise that Melbourne Street Fashion loves Above.

Q: When did you launch Above, how did you get started?

A: We've known each other for almost 10 years now, we met through my brother. After starting the all of the above shared studio space and retail outlet in 2005 we found that we made quite a good team since we have opposite but complimentary skills. In late 2007 I asked Nyssa to work on a range of basics with me for the store to sell. Those early days were a pretty steep learning curve and it took some time to figure out our direction but I think it was important to work it that way to give ourselves a chance to define our roles within the label.

Q: What would you say your ‘design ethos’ was? What do you look for in good design?

A: We aim to produce classic, wearable shapes that have the foundations of a well cut pattern. The collections always centre around the basic western wardrobe (shirt, shift dress, cardigan, etc) but are re-imagined from a structural point of view. We like the wearer to be seen when in our clothes; we make things that you can incorporate into your life and wardrobe for years to come. Our process is about looking back through our own history as a label, there’s always an element from a previous season that informs the overall design basis for the next collection. It might be a single garment or a new analysis of previous seasons that creates a new set of structural ideas to explore. But essentially it is a personal body of work that explores sets of ideas that have been circling our lives for years.

Q: What do you think Above brings to the online market that others don’t? What makes you individual?

A: I think in this age it's very difficult to have a completely individual offering but we just want to make sure we are offering a clear, concise collection and a bit of an insight into how we do it. Social media has now become pretty powerful tools and we have only barely scratched the surface with them but we're working on using them more effectively. We do a lot of our own sampling and printing in house and a look at that kind of thing can be a new perspective for our customer's, especially since a lot of this industry is about smoke and mirrors. We're really proud of our connection to the whole process and if we can show people the steps it takes us to end up somewhere hopefully that gives them more of a connection as well.

Q: Do you have any fashion legends or idols? Where does your inspiration come from?

A: We always appreciate someone who knows their own style, I think it's about noticing people in everyday life. Nyssa always talks about op shops being archives of lost construction ideas, and we joke about how she's constantly pulling people's clothes apart with her eyes. Mid conversation you can often see her trail off, zeroed in on a pocket detail or zip placement

Q: Autumn/Winter or Spring/Summer?

A: Autumn/Winter – can't go past layers and knits! Since Nyssa always starts a season with at least a dozen jacket ideas I think she feels more at home with the cooler months.

Q: How would you sum up your current collection? What are the main themes behind your design, can you expand on you ‘classic western wardrobe’ idea that we discussed.

A: Summer is entitled a study in adaptation because it's looking at the ways we all change and adapt our clothes to fit ourselves and our lives. Some of the styles (giant pant/giant blazer) have integrated into their construction the observation of how people will often wear oversized pieces, op shop garments, and find a way of making them fit their shapes by belting or pulling them in. In another sense of adaptation we've applied a scarf, being the most adaptable accessory, and blended it into traditional garments (skirt, shirt) which inherently then transfers it's adaptable qualities to those garments. The most extreme versions of this idea being the scarf pant/scarf dress which have no body reference and need to be worn and adapted to fit a person to give them context.

The 'classic western wardrobe' idea is always our framework for a season, it gives a starting point and allows the structural ideas to be applied to established shapes. We don't want a paint by numbers scenario but essentially it just gives us a chance to plan and edit our seasons pretty early on and means that the design process can be spent focussing and resolving the styles that DO fit. When you break down what people really wear, generally it fits into that framework, we design things that fit those gaps. Say the lattice shirt, it fits into the “white shirt” category but because of the print it's a new modern take on it. Basically it's something that you already know how to wear within your wardrobe but it becomes a new version with the ideas we're exploring for the season applied to it.

Q: What are your plans for Above in the future? A flagship store perhaps?

A: We'd love to have a store at some stage, but for now we're focused on gaining a few more stockists. We've signed on with a Scandinavian sales agency for next season so that will hopefully turn into some international accounts. Design wise we're really excited about the print development for next season and expanding our knitwear.

Words and photos: Max Sanderson

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Street Fashion: Look Closely

Tue, 07 Dec 2010 02:45:00 GMT

Sometimes we like to take a closer look at the fashion happening on and around the streets of Melbourne. Devil's in the detail as they say.

Photos: Cheryl Lin

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Menswear: Sunglasses

Tue, 07 Dec 2010 02:20:00 GMT

Like the perfect pair of shoes or the perfect bag, the right pair sunglasses can be a hard thing to find. When it comes to sunglasses, it’s a topic that for once is driven not so dominantly by trend, but by which pair is right for you.

Driven by the popularity of the famous, perhaps now more infamous Rayban Wafer, a retro-esk look is still strong on the scene. Round is dominating current popular trends, however, a little less John Lennon and a little more relaxed cool.

Delicate details and fine metal trims are what to look for, adding a sense of quality and effort. With the boom of vintage sunglasses, people literally have a new pair every week, so remember to go out on a limb and be different! The range available, from high end designer to second hand markets is endless! Hunt around and choose creatively.

Words and Photos: Max Sanderson

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Fashion: Muscrat Vintage

Tue, 07 Dec 2010 00:29:00 GMT

It's often too apparent that some vintage stores have simply bought their stock by weight, packed them onto rails and turned a blind eye to those questionable stains, missing buttons and unflattering "granny" lengths. So it's a joy to find those 'true' vintage stores that you unknowingly stumble across on your way to lunch; a secret gem that you excitedly want to share with friends and at the same time desperately want to keep just to yourself!

Muscrats Vintage is one such shop, where sister duo, Nicole and Caitlin Muscat, have created a beautiful space to showcase hand-selected vintage garments, accessories and products that cheekily turn their noses up to those mass- stocked vintage wannabes.

Founded in 2006, the talented sisters have done what most girls often dream about; they hunt and gather pretty clothes and sell them in their very own shop! Located just slightly out of the main vintage hub in Fitzroy, Muscrats can be found on St. Georges Road, beautifying the Northern suburb with pretty frocks, floral shirts, quirky shoes, leather vests and an array of collectable treasures for both boys and girls.

Muscrats Vintage, 355 St. Georges Road, Fitzroy North.

Muscrats can also be found at Lost & Found, Hello Sailor Vintage Fair and Round She Goes markets.

Words & photos: Tilly Pearman

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New Fashion: Head Gear

Wed, 01 Dec 2010 08:07:00 GMT

Now that the cold snap has left the city the beanies and hoods have been replaced with head gear of a different kind.

Over the years hats have been worn for many different reasons whether religious or a fashion statement. You can easily update your look with an extensive choice of head coverings.

Turbans, no longer exclusive to fortune tellers, have been floating around the trend list for a couple of years and looks like they're here to stay for spring. The versatility of scarves are shown by twisting, wrapping and tying around the head with the bonus of concealing any level of a bad hair day. As for hats Its rare to stroll the city without spotting a fedora, pork pie or boater - they can complete any outfit whether dressy or casual.

Try City Hatters on Flinders St for an broad range of styles, all crafted with the highest quality materials. If vintage is your thing head to Shag in Centre Way arcade and hunt for that hidden gem. Who knows, you may just find your new look.

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Words and photos: Holly Rose Butler

Street Fashion: Market Style

Tue, 07 Dec 2010 23:05:00 GMT

We love Melbourne in the springtime! The sunshine and warm weather encourages the shedding of wooly layers allowing our true colours to emerge. And while this city offers a good number of vantage points we recently chose to observe the occurrence of this phenomenon from some of Melbourne’s finest outdoor second-hand and self-made markets where we were able to ogle weekenders on the hunt.

In amongst the wares up for sale we duly noted that indeed all manner of individual style was out in force and in a wide variety of shapes and saturated colours to boot.

Also of interest to us all was how the style changed as we moved from one market to the next. This was particularly evident in the ensembles of stallholders in the east who we found were a random pocket of fun their northern counterparts opting for more thought out (but just as delightful) looks. We think that this could be testament to the types of wares on sale from the random bits and bobs in the east to the creatives in the north trying to turn a hobby into just a little bit more.

We hope you enjoy the treasures we captured here pictorially and are proud to disclose that no friendly market attendee was harmed in the process of our work.

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Words and photos: Cheryl Lin

New Fashion: Sunglasses

Wed, 01 Dec 2010 08:11:00 GMT

Dare I say it, but this summer it may be time to put those trusted Ray-Ban Wayfarers away and grace your face with a new and exciting shaped frame. Said frame should, in simple terms be circular (or at least of the rounded curvaceous family and not of geometrically rigid and square decent).

Granted this is not an easy style to pull off. It's likely you'll need lots of attitude and possibly a leather vest or some 90s Brit-pop/ grungy plaid shirts to help you out. Trickling through last summer we've already spotted many-a "Lennon loving" boys and girls who have prompted and fashioned a return to the circular shade. And it's a trend that looks set to continue well into next year (see Topshop Unique's and Anna Sui's recent SS2011 collections at London and New York Fashion Week respectively).

If you're struggling, try the alternative. A bold 60s/ 70s style frame with a tinted or polarised lens. Overstated sizes, curved outlines and thick acetate frames chosen from a nostalgic palette of vintage hues (Isson have a great selection www.isson.com.au as do Mykita- www.mykita.com) will be turning heads for sure. But if it's attention you crave, follow the direction of Mr Alexander Wang and embrace the trend for feline 'cat-eyed' sunnies. They're slightly superhero-ish and exactly what your sunnies should be this season: bespoke, unique and bold.

All sunglasses from a selection at Lost & Found- Smith Street Vintage Garage-Smith Street and Saint Cloud- Gertrude Street.

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Words and photos: Tilly Pearman

Street Fashion: Natural Fibers

Wed, 01 Dec 2010 08:12:00 GMT

When winter slowly turns into spring, we all get a burst of enthusiasm to get some summer stock into our wardrobes. But here in chilly Melbourne summer warm spring weather takes a while to take hold.

Because of the funny not quite winter/not quite spring weather you need to be prepared for both warm and cold. One minute the sun comes out, the next your stuck in the rain.

Mixing natural fibres like sheer cotton and linen with heavy natural wools and leather is the perfect way to be prepared for all conditions. And with the surge of raw fabrics in European fashion for Spring/Summer 2011 you’ll be right on the mark.

This is a great time of year to layer up and make the most of all different fabrics in your collection.

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Words & photos: Max Sanderson

Vanguard Party

Wed, 01 Dec 2010 08:13:00 GMT

Last week we went along to the Vanguard party thrown in a South Melbourne garage space next to St. ALi Cafe to celebrate the close call of Summer and to launch the Spring Summer 10/11 range Good Morning Rucksack Wanderers.

Bam Brands decked the place out nicely and there was even a sweet BBQ out the back in the lane. Bless.

Take a look at who was there...

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Photos: An Architect Photographed my Undies

Street Fashion: Becky & Hali

Wed, 01 Dec 2010 08:21:00 GMT

Check out the very latest street fashion from these two lurvely ladies.

Name: Hali
Location: Sophie Gannon Gallery, Richmond
Outfit: Shoes- Vivienne Westwood for Melissa Dress (worn as scarf)- Bettina Liano Pants- Bettina Liano Jacket- vintage
Occupation: Fashion Design student (RMIT)/ co-designer (with Dad) of own label Honour Among Thieves.
Style: Casual and colourful but not too crazy!

Name: Becky
Location: Brunswick Street
Outfit: Dress- my housemate's cupboard Shoes- vintage.
Occupation: Exhibition Curator/ Part-time retail assistant.
Style: 80s eclectic trash bag.

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Words and photos: Tilly Pearman

Melbourne Spring Fashion Week 2010: Kevin Murphy

Wed, 01 Dec 2010 09:14:00 GMT

The runway at Melbourne Spring Fashion Week wasn't only a showcase of the best designers Australia has to offer, backstage was where the magic began- with a little backcombing and alot of hairspray.

Kevin Murphy proved to be Australia's leading hairdresser - he was not only an official sponsor of the week but designed all hair concepts for the Designer series shows. Crimping, curling and rope twisting were some of the techniques that graced the models tresses, while the boys were looking sharp with clean sides, quiffs and lots of texture on top.

Kevin murphy's 'style master' James Furness hosted style session workshops throughout the week. With name's like 'Hot hair not hat hair' and 'Fight the Fizz' it was a show case of DIY-taking it from the catwalk to your home without the pro at your beck and call.

Check out the website for more hair inspiration.

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Words and photos: Holly-Rose Butler

Melbourne Spring Fashion Week 2010: RMIT Show

Wed, 01 Dec 2010 09:34:00 GMT

Horrah for students- they sure as hell know how to round off Melbourne Spring Fashion Week and reaffirm our optimism in fashion's future generation. Full of creative energy and directional inspiration, we sat with a subtle grin, quietly proud of Melbourne's graduating talent.

Georgia Head kicked things off in that perfectly 'student' way with a conceptual short animation and collection that saw neoprene cylinder shapes blur the relationship between art and fashion with an unconventional ornamentation.

Quilted caged skirts and voluminous shaping over sheer mesh transparencies took Kate Bolzonello's girls to a past reference of Victorian Dolls. Proportionally challenging these two collections stood out from the generally more fluid and body-conscious designs of the other graduates.

Jo Tremplin was one such student who's all blonde models walked out like Grecian Goddesses- the sheer and opaque fabrics appearing to elegantly melt off their perfect bodies.

Elsewhere, underwear shaping proved to be another popular theme with Laura Anderson's printed bodices and Rebecca Martin's robotic/ armour encasings symbolising a tough and modern interpretation to the word 'sexy'.

Safa Taghizadeit represented the boys with the only full menswear collection of modern slim-fit tailoring. Marble effect prints in cream and black, a daring jumpsuit and sleeveless blazers contributing well to the purist undertone of Scandinavian sharpness.

Rounding off the evening, Kate Sala refreshed our eyes with an 80's inspired collection and effective lesson in primary colour blocking. Stacked converse and matching coloured sunglasses looked modern fun and truly upbeat against her abstracted pattern cutting and quirky tailoring - the perfect note really to end an evening of great fashion design.

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Words: Tilly Pearman
Photos: Cheryl Lin

Fashion Week 2010 Street Style: Day Three

Wed, 01 Dec 2010 09:41:00 GMT

More beautiful creatures of the night at Melbourne Spring Fashion Week. Were you there?

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Words and photos: Cheryl Lin

Melbourne Spring Fashion Week 2010: Parade 4

Wed, 01 Dec 2010 09:43:00 GMT

Melbourne Spring Fashion Week is an event that brings all sorts of Melbournians together to showcase many different aspects of Australian fashion. The 4th Designer Series Runway for MSFW 2010 provided a look at purely Melbourne based fashion and the fashion was out in force.

The show attracted the more fashion forward people of Melbourne to view the work of some of Australia’s leading fashion labels. The energy in the room showed through and through and only further built the anticipation of what was to come!

Alpha 60 opened the show with their distinct clean-cut look. Fine silks and delicate cottons effortlessly hung off the models a very pleasing injection of colour throughout their collection was a refreshing change from the monochromatic colour palate we’re used to from Alpha 60. Rich blues and vivid patterns gave the collection vibrancy and flair.

Above brought a strong sense of style and sophistication to the runway. Loose fitting but very well structured pieces provided a perfect blend of refinement and casual summer. Above took a different approach to every other designer I’ve seen at MSFW thus far, using deconstructive and reconstructive techniques giving their own unique take on classic women’s style.

Playful, creative and fun, Limedrop are the ideal label for an Australian Spring/Summer. Teaming poker dots with colourful digital prints, leather, silk and free flowing cottons. Limedrop provided a very tastefulness with a relaxed aesthetic.

Trimapee and Claude Maus gave us with the androgynous, dark and moody visual that Melbourne goes crazy for. Black, white, grey and beige, the colour palate was minimal and concise, although not at all boring. Both Trimapee and Claude Maus seem to have developed their look into a more refined and elegant style.

This collection of creative and artistic work from these talented designers made the Designer Series go out with a bang. What better way to do it?

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Words: Max Sanderson
Photos: Holly-Rose Butler

Melbourne Spring Fashion Week 2010: Parade 3

Wed, 01 Dec 2010 09:45:00 GMT

Spring has finally sprung for Melburnians and no better way to celebrate then with the Melbourne Spring Fashion Week Designer Series Show Three, a cacophony of multicolour and clever cuts albeit in varying degrees of wearability or dare we say it originality.

However for the most part each of the designers featured were consistent with strengthening the style and reputation of their labels whilst keeping in sync with the frivolity of the season.

At Gorman, pink blossom ankle socks in the designer’s own line of clog-wear were the anchor for a collection which included a powder puff ball of a dress in a supersized multi-colour polka dot print that quite simply delighted the crowd. The grown-up candy-colour print was also shown in an offering of swimwear headwear and a few tops with only one thing missing: Gorman’s own limited edition polka-dot bicycles currently in stores just in time to cater for the emerging cycle style movement and delightful rides out there in the springtime.

Garnering surprised but approving murmurs from the assembled fashionisti Obüs was the standout collection on the night positively bursting with wearable pieces for the everyday, albeit in satisfyingly colourful nods to the joie de vivre of Spring. Predominantly showing silhouette-flattering ensembles for the everyday in bold hues of green chartreuse earthy red and contrasting sky blue denim the standout however was a subtle and beautiful cream-based floral-cluster print embellished with sequins. All items contrasted beautifully with the cleverly assembled accessories consisting of Jean-Paul Gaultier for Melissa shoes and accessories by Elke Kramer and Mar Y Sol all available through Obüs.

Leopold produced a preppy collection for the boys which appeared to have blasted out from the blogaliciousness of The Sartorialist. Of particular note was a checkered shirt in bright hues of green tucked into stripey grey shorts all smartly tied together with a snappy belt. Note also however that such super styling was less evident in the offering for the femmes. An ensemble of four models with spring in their step showcased one youthful bridesmaid-esque shift dress in bold jewelled hues, however the contrasting accessories of bow-embellished-grosgrain belts did not quite hit the mark.

Similarly at Bettina Liano, the pairing of frothy pink dresses with “fierce” footwear erred more on the side of garish than clever contrast. What did work though was an ultra-feminine double denim combo of cropped bustier paired with a girlishly flared denim skirt a commercially-clever nod to the full-bodied feminine trend which we are happy to see working its way through the fashion world internationally. Also much love here for a strapless black dress sharply matched with a cropped leather bolero with ladylike peplum detail the entire ensemble simply being ever-so-wearable and achingly chic.

Also particularly heartening and exciting to see were designers LIFEwithBIRD, Alice McCall, Manning Cartell and Arabella Ramsay, each showcasing some truly head-turning numbers in their signature styles that will certainly help take their labels to the next level.

A special mention to Coloured Eyes for providing contact lenses in a startling beautiful Ocean Blue hue that were the perfect pop of colour for this Spring offering. A clever collaboration indeed.

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Words: Cheryl Lin
Photos: Melissa Ward

Melbourne Spring Fashion Week 2010: Parade 2

Wed, 01 Dec 2010 09:48:00 GMT

Day two of Melbourne Spring Fashion Week 2010 and it's really getting into the swing of things.

Walking up the steps of the Melbourne Town Hall was a flood of well dressed fashion savvy people ready for another good show.

Opening the Designer Series 2 Runway Aurelio Costarella ordained the catwalk with a wonderfully extravagant and ornate gold and beige silk dress. Completely capturing the audience’s attention as the truly mesmerising piece effortlessly floated by. As the opening piece, it set the stage for a luxurious and opulent show. However, while the show progressed the work displayed expressed a far more Australian approach to fashion as one would expect from Melbourne Spring Fashion Week.

Flowing silk fabrics natural cotton and raw linen largely made up the work of designers to come. A relaxed aesthetic that is so very Australian was expressed through the work of all the featured designers with the occasional flair of leather or metal stud-work.

Yeojin Bae really stood out, opening her collection with a spectacular peach suit. Well cut, perfectly proportioned and finely detailed, this was a piece that made heads turn.

Respected designer Akira of course provided a unique take on Australian fashion. His signature luminous quality embodied the collection. The blend of Australian fashion and his Japanese heritage was perhaps a little confused and in some garments too obvious.
However a beautiful collection of work none the less.

Much Australian design has a distinct aesthetic… casual relaxed and calm. The MSFW Designer Series 2 Runway was certainly an example of this style of fashion. Definitely not the hard-edged, genderless grunge that so populates young Melbourne Fashion today. A well selected body of work providing a cohesive look at one of Australia’s many approaches to fashion.

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Words: Max Sanderson
Photos: Holly-Rose Butler

Fashion Week 2010 Street Style: Day Two

Wed, 01 Dec 2010 09:50:00 GMT

More street style from Melbourne Spring Fashion Week.

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Photos: Cheryl Lin

Fashion Week 2010 Street Style: Day One

Wed, 01 Dec 2010 09:54:00 GMT

Have you seen who's come out to play for day one of Melbourne Spring Fashion Week?

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Words and photos: Cheryl Lin

Melbourne Spring Fashion Week 2010: Parade 1

Wed, 01 Dec 2010 09:52:00 GMT

Staggering stacked heels and wooden platform clogs are not the easiest (nor most suitable) type of footwear to walk in when the rain is falling hard and leaving Melbourne's pavements like a slippery tarpaulin sheet! But in the name of fashion a little rain certainly didn’t stop the fashionably excitable boys and girls who forwent ‘sensible’ last night and dressed to impress at the first parade of Melbourne Spring Fashion Week.

Once inside, the dreary end of winter seemed to melt away as muted pastels, second-skin nudes and a welcomed summer 'lightness' coherently transcended across all 10 showing designer collections.

Ansdorf kicked off the show with a sophisticated and evolving collection that elegantly fused expected girlish nuances with a much more grown up and occasionally directional hint to 60's space-age modernism.

Meanwhile, a recurring theme of longer length dresses was executed well by Alistair Trung, who channelled an image of minimalist grunge with loose, draped jersey dresses, the longer lengths and neo-luxe aesthetic suiting perfectly the more abstract and accompanying electronic music.

Flannel bought some interesting accent colours of mustard yellow and lime green to enliven the middle of the parade yet it was Assin's slightly more daring collection that seemed to grab the audiences' attention. A black hair shawl/ collar monochromatic dip-dye chiffon and hybrid fabric combinations of silk and leather communicated a strong androgynous aesthetic that suited the more flamboyant and clued-in fashion kids that populated the front row.

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Words: Tilly Pearman
Photos: Holly-Rose Butler

Fashion Week: RMIT Students to Watch

Wed, 01 Dec 2010 09:58:00 GMT

Walking onto level 10 in building 8 at RMIT was like entering Project Runway...without the cameras. With material flying mid air and take out menus on the pin board it became obvious that the work rooms have become home for these budding fashion designers. Four years of hemming, draping and broken needles are paying off as its time to show friends family and the general public their passion for fashion at the RMIT Catwalk show during Melbourne Spring Fashion Week.

Laura Anderson and Jason Hewitt are two among the many talented students finalising their 6 outfits that will walk the runway on the 4th September.

Laura's collection consists of various materials, including wool felt and Leather which has been Laser cut with impeccable detail. Early 20th Century pioneering photographers, particularly Etienne Jules Marey have inspired the design and mood of her digital prints and garment construction. She admires the label 'Dress Up' which was created by fashion designer and RMIT alum, Stephanie Downey.

Jason has been busy: “most of my pieces interact with each other. I'm enjoying mixing prints, being experimental but keeping it wearable." His collection includes colourful painted wool jersey and African printed Cottons he purchased from Cape Town while visiting his family. Some of the pieces are constructed by draping and looping material to create movement and flow. Claude Maus is an Melbourne label Jason admires not only for the design aesthetic but the success Rob Maniscalco has received internationally.

These two are defiantly ones to watch and see the beginnings of their career at the show "Dangerous Goods" on Saturday 4th September 6.30pm &amp 9pm at the Melbourne Town Hall (90-120 Swanston Street). Tickets can be purchased from the MSFW website.

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Words and photos: Holly-Rose Butler

Spare Change: Beauty for Less

Wed, 01 Dec 2010 10:01:00 GMT

We hang out for the Alice Euphemia garage sale and the half yearly clearances at David Jones, yet we still manage to blow a load of cash on a designer T-shirt. It makes sense to save some money on beauty products and services... but how?

Read on for 5 insider tips on looking good for less.

1. Biba have been the forefront of Australian hairdressing since 1975 and if your on the lookout for a cheap haircut you cant go past the Biba Academy on Swanston st and Fitzroy. As a former student of the academy, I can say with confidence that the teachers are world class, the techniques are cutting edge (no pun intended) and if a student cuts your ear off they will buy you a new one.

Haircuts: $25.
Biba: The basement 401 Swanston St Melbourne
Ph. 03 9663 3327.

2. Ah, the miracle of papaw. Females and Males across the globe use this yellow gunk to treat ailments ranging from dry skin, cuts and burns but on the street its most likely used as a great lip conditioner.

(Find Lucas Papaw Ointment at supermarkets and chemists from $5)

3. Weekly visits to the nail salon can get expensive in the long run. Luckily the Melbourne College of Hair and Beauty offer a broad selection of services ranging from massage, waxing and manis/pedis at great prices.

Conveniently located opposite Flinders Street station, getting pampered during train delays was never so easy.

Manicure: $13 Facial $15 Waxing from $6.
Melbourne College of Hair and Beauty: 244 Flinders St Melbourne
Ph. 03 9650 1056

4. Late night study sessions and pub crawls can take its toll on personal appearance. The last thing you want is wet hair on a chilly morning so along with the snooze button dry shampoo was invented. It’s a powder substance that delays the need for washing by absorbing excess oil from the scalp and hair. (Although It is still recommended to shower!)

Purchase at most chemists and hair supplies from $10.

5. A brilliant face mask can be found if your fridge using egg whites. Gently beat one and apply to a clean face. Within 5 minutes you will feel and tightening sensation while deep cleansing and hydrating benefits make this an inexpensive natural option.

And you can use the yokes to bake a cake...or drink raw if your a little bit crazy.

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Words and photos: Holly-Rose Butler

Double Up: Couples Street Style

Wed, 01 Dec 2010 10:04:00 GMT

Our special street style Couples Report looks to borrowed wardrobes, joint muses, accidental copycats and people who really do look beautiful together.

Last year I would often step out of my room only to see my flatmate dressed in the same generic mini skirt band tee and chunky knitted cardi. A “flat uniform” we would joke, yet it seems we are not the only “twin” or “friend” dressers out there.

Couples, siblings and friends we became intrigued by this shared sense of style and mutual inspirations that took the focus of the usual individual street style photograph. Instead our special Couples Report looks to borrowed wardrobes, joint muses, accidental copycats and people who really do look beautiful together.

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Words and photos: Tilly Pearman

DIY clothing from household items

Wed, 01 Dec 2010 10:08:00 GMT

Fashion can often be an expensive thing, a very expensive thing however working on a budget certainly does not mean sacrificing your personal style.

Furthermore, you do not have to be a budding fashion designer to create your own fashion pieces. From something as simple as putting a Christmas decoration on a chain to creating a top out of a single piece of fabric, the sky is the limit!

The key to creating interesting and unique pieces is to hunt around. Trolling through second hand markets and endlessly sorting through $2 bins at Vinnie’s is really the only way to find the best cheap things to turn into amazing fashion.

My friend Peter Cripps-Clarke is somewhat of a genius when it comes to creating fashion out of practically anything he can find! Always wearing something different and curious. So of course this way you never have to worry about someone stealing your outfit.

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Words and photos: Max Sanderson

New Fashion: These Boots Were Made For...

Wed, 01 Dec 2010 10:09:00 GMT

Not quite freezing definitely not warm, spring will soon be sprung and the perfect in-between footwear in the good 'ol boot.

City streets are a sea of worn leather and soft suede as styles vary from riders, wedge, desert, biker and combats. Throughout history the design of the boot has functionally not just style. The cowboy heel for riding, hiking for comfort and support and gumboots to splash about in.

Looking for a pair that will last a trip to the Sahara and back? Try shag for a vintage soles that will stand the test of time. Just got an inheritance? Acne's ‘Admire’ wedge-boot are the ultimate weapon of foot fashion. Whether your going horseback for a hike or out to coffee, lace em up be comfortable and have style- to boot.

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Words and photos: Holly-Rose Butler

Menswear: Inside James Lachlan's Wardrobe

Wed, 01 Dec 2010 10:12:00 GMT

In today’s competitive fashion world being multi-talented is almost a must have attribute to achieve success. James Lachlan is a model and fashion blogger based in Melbourne as well as working at the reputable high end boutique Marais Melbourne. Having practicing modelling for several years, James knows a thing or two about the fashion industry and his European hard edge looks certainly grab your eye!

While not modelling, James is one part of the blogging duo (James Lachlan and Samuel Nicolausson-Soames) from fashion blog Marble House which has just recently hit the scene. Part editorial part personal, Marble House is an insight into the minds of these two creative boys. His style is contemporary sophisticated and yet a little grungy. James is a man who knows how to be creative with his style injecting his personality and individual sense of fashion.

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Words and photos: Max Sanderson

Street Fashion: Crystal & Aden

Wed, 01 Dec 2010 10:14:00 GMT

We like the street fashion details here, do you? Take a peek inside Crystal and Aden's wardrobe.

01: Crystal

Name: Crystal
Location: Smith Street
Outfit: Bag- vintage Skirt- the past (Op Shop) Top and Cardigan- Op Shop finds
Occupation: Fashion Design Assistant/ Retail Assistant at American Apparel
Style: “Comfortable and soft”

02: Aden

Name: Aden
Location: Sydney Road
Outfit: Purple Hair accessory- self-designed Pants-Cheap Monday Shoes- Op Shop Shirt- vintage Hugo Boss Belt- vintage Chanel
Occupation: Sculptor/ Jewellery Designer/ Model
Style: High fashion on a low budget

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Words and photos: Tilly Pearman

Fashion Designer: Frances Rose Is...

Tue, 07 Dec 2010 22:59:00 GMT

Paying homage to old world masculinity, New Zealand-born Melbourne-based jeweller Amy Gopperth is carving a niche for herself in the industry with her modern take on traditional men’s jewellery.

Inspired by cult HBO series ‘Deadwood’ Gopperth’s latest collection '…digging for gold' includes rose cufflinks gun tie pins as well as cravats ‘Kentucky’ ties and other smart neckwear.

Jean Kemshal-Bell talks with the young fashion designer behind Frances Rose Is...

Where are you originally from?
I grew up on a dairy farm in rural New Zealand in a tiny place called Pihama.

How long have you been living in Melbourne?
Almost 7 years.

What was the concept behind your latest collection?
The concept came about last year when I was stuck in bed with my bad back. I couldn't do much except watch DVDs and one HBO series in particular I became obsessed with was 'Deadwood'. I was so inspired by the costumes and the way men dressed so impeccably back in the Old Colonial times that I started to sew a range of neckwear based on these costumes. I launched Frances Rose Is… with the neckpieces along with 3 tie-pins coining the collection '…digging for gold'.

Do you have plans to start doing women’s jewellery?
Yes definitely. I am currently working on an exclusive range of jewellery for a women's clothing store in Northcote. Also, my next range which is in the designing stages is going to cater for both men and women.

Who are some jewellery designers that you admire?
I have always loved the work of William Griffiths. I also really admire Julia de Ville. She has taken taxidermy something that a lot of people would find grotesque and used it in such a delicate way to create works with an eerily beautiful quality.

What’s next?
In the long term I have a whole heap of ideas for the growth and direction of Frances Rose Is… as an accessories label. In the short term though I am just working on building my profile.

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Words and photos: Jean Kemshal-Bell

Sometimes Magazine Launch

Wed, 01 Dec 2010 10:18:00 GMT

Last Friday Somewhere boutique hosted the launch of 'Sometimes' Magazine. In their own words, sometimes they sell clothes, sometimes they host exhibitions and last week they launched a magazine.

Canvassing a collection of conversations and creative submissions from prominent local and international designers artists and musicians, here is what Melbourne Street Fashion found at the party.

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Photos: Max Sanderson

DIY Necklace by Lucinda from Thrift & Thread

Wed, 01 Dec 2010 10:23:00 GMT

Lucinda from Thrift & Thread graces us with her presence in today's guest post which just happens to be all about making your own necklace out of cord. Watch and learn.

This striking necklace is simply made from sewn cord and is the perfect way to add a pop of colour or pattern to your winter wardrobe. Made with an adjustable strap the necklace can be worn high or low on the neck as you like. Cord can be purchased from most fabric or craft stores. Finely knitted or soft stretchy cords are ideal for this project - best to stay away from stiff upholstery rope which is difficult to stitch by hand. Experiment with cords of different lengths colours and widths to create unique results.

You will need:

1 – 2 metres of cord
Fabric glue
Needle and matching thread

Step 1

Finish the ends of the cord with a small dab of fabric glue to prevent fraying. You could also use clear nail polish.

Step 2

Starting on one end begin the first loops approximately 20cm down from the tip so that there is sufficient cord remaining to tie the ends behind your neck. Stitch the loops together.

Step 3

Continue making loops. You will find that the cord will start to easily form loops which can be stitched together at the joins. Try creating a mix of larger and smaller loops for the most interesting visual effect.

Step 4

Make your last loop leaving approximately 20cm remaining. Your finished necklace simply ties together and can be worn anywhere on the neck.

If you have any further questions you can contact Lucinda at lucinda@thriftandthread.com or via thriftandthread.com.

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New Fashion: Clogs

Tue, 07 Dec 2010 08:54:00 GMT

First off erase those Scandinavian ‘folksy’ images that may be filling your head right now. Clogs are definitely back, but not with the Dutch nostalgia that may have kept them hidden from fashion for many years. If in doubt simply look to Gorman and their oh-so-cool shop girls who stylishly wear their wooden platform clogs in patent black pillar-box red and chirpy sunshine yellow.

Modern, simple and encapsulating a paired-down luxury that is perfectly now, the return of the clog is maybe less surprising than you first thought. Mr Lagerfeld can take a bow for some responsibility (his Chanel SS10 collection re-introduced studded clogs to the catwalk), as too Mr Wang with his leather style mules that when teamed with grey marl jersey and American style gymwear looked contrastingly very hot indeed! But designers aside, these seemingly unflattering, clumpy and ‘ugly’ tainted shoes are cropping up even in the height of winter- marrying up with opaque stockings and woolly socks to sensibly brave the bitter cold.

Sydney-based Funkis (which are stocked at Gorman) are a popular choice, yet Sportsgirl, Wittner and Zomp have certainly picked up on the trend and are helping to raise Melburnian girls a good few inches off the ground with slip-on and strap sandal variations. Vintage stores are another great outlet feeding this trend, but whichever clog you choose I strongly recommend a few practice walks up and down your hallway first! Wobbling is not a great look.

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Words and photos: Tilly Pearman

Beauty: Melbourne Street Faces

Tue, 07 Dec 2010 08:43:00 GMT

Just like fashion is a form of self expression, many of us are guilty of indulging in beauty products and taking risks when it comes to hair and makeup. Indulgences we sometimes regret.

So should we be taking inspiration and advice from magazines, beauty blogs or backstage at Paris fashion week?

Hairdressing is a multi million dollar industry with thousands of salons operating worldwide. From a 70 year old man cut throat shaving in a barber shop to a salon that serves champagne on arrival and haircuts cost more than a weeks rent.

To some hair is just hair- you wash it and it grows. To others its a tool of reinvention a bad hair day can make you want to crawl into a ditch and never come out or at least until you wash and restyle.

The 90s revival isn't just for the fashion. Heartbreak High has hit the streets with smudged eyeliner, undercuts, bindis, regrowth and nose piercings. Colouring your hair is the most common way of transforming your look, either semi or permanent your options are endless, ranging form chestnut brown to Fanta orange.

A bun or 'Top Not' has been hanging around the trend list for a couple of years. If you were a child ballerina like myself you may have experienced your mother trying to wrangle every strand into place (extremely painful!) although bun's can look very flattering worn polished or disheveled they highlight your facial bone structure and take 5 seconds to do.

The early 2000s saw the rise of the lipgloss but recently lipstick has been the favour for young women as compared to a gloss there is more texture variety (matte cream frost) and the staying power is stronger which reduces reapplying. Colours to be seen this season are Berry’s Dark Plum and Nude. Black recently had its moment in the spotlight and wasn't only exclusive for Gothics.

As for the guys, it seems that winter is the time to ditch the razors and go al naturale. Long hair, beards and moustaches come out in force and can take you from rugged to distinguished, while keeping you warm.

So whether your brave enough to go for the dye or trial a new lipstick colour, remember confidence is key. Makeup and hairstyles should reflect your personality and style, and never be taken too seriously.

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Photos: Holly-Rose Butler

Illustration: Sarah Hankinson

Wed, 01 Dec 2010 10:29:00 GMT

Light, dark, colour: it's all captured in Sarah's evocative illustrations and we love her even more because we can proudly say she's from Melbs.

If you haven't caught on to her illustrations yet in Yen, Semi Permanent or Australian Creative then you need to keep reading.

Sarah creates elegant striking and provocative illustrations with a harmonious combination of traditional and mixed media techniques. Her works are a delicate balance of light and dark thick and thin and play off broken lines and bold splashes of colour.
We love Sarah you should too.

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Fashion Designer: Yamila Guedez

Wed, 01 Dec 2010 10:32:00 GMT

Yamila Guedez is a Venezuelan native who calls Melbourne home these days. The architect and jewellery designer's latest collection 'Fun House' caught our eye so we caught up with the designer to find out more.

What makes Melbourne special?
5 seasons in one day makes me crazy! I like that it’s a peaceful and multicultural place.

What were you like as a child?
I enjoyed collecting natural things at the beach and jumping in the water.

If you could be on the cover of any bands CD/LP whom would it be and why?
LP with la sonera del mundo: CELIA CRUZ.

Magazines or Blogs?
I LOVE Magazines and some blogs.

Vanilla or Chocolate?
Chocolate and my favorite is NOCCIOLA. Mmmmmm delicious!

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Words: Phoebe Montague

Street Fashion: Menswear

Wed, 01 Dec 2010 10:33:00 GMT

Cold and windy winter days certainly call for some gear to keep warm. Cities like Melbourne really embrace the winter months showing off some great layering and heavy outfits. Every winter you need a staple piece to keep warm and go with everything. Whether it be your heavy felt coat the leather biker or a classic cotton trench.

This time of year the icy days really hit hard so you really cannot go past the quality of a well made woollen coat. Good layering can be hard to achieve the simple minimalist style of a woollen felt coat is a perfect way to not over-do-it. Strolling a vintage market or breakfast on a sunny crisp winter morning is just delightful as is the perfect apparel to do it in: the trench coat. Clean classic sophisticated yet cool it is really the staple piece that will never go out of style and last you years.

Cold, cold winter do it in style.

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Words and photos: Max Sanderson

Undercuts suit girls better

Wed, 01 Dec 2010 10:36:00 GMT

The latest 80s ‘trend’ to be offered redemption is the undercut. Recently touted by A Current Affair as the hottest new hairstyle, its got Tracy Grimshaw and her football shoulder blazers nodding in approval. The thing is A Current Affair’s trend reports are at least a year behind so if you’re a frequent visitor to this site, chances are you‘re already scoffing. But lets not be snobbish about trends.

Having never lived through the 80s, I can easily slip on my rose coloured specs and relive the grandest parts of the decade- courtesy of Madonna and Pretty in Pink. I sense this is likewise the case with other post 80s babies. Being nostalgic for a time you’ve never experienced (call it faux nostalgia) has its perks though. When 80s trends re-emerge in contemporary fashion- the bubble skirt, shoulder pads and bike shorts- they are embraced by us young ones with gusto. Apparently real 80s survivors run in the opposite direction. It’s understandable. In twenty years time I’d baulk at the sight of 16-20 somethings in jeggings. What am I saying I already do that.

Contrary to its 80s roots, the undercut is now commonly accompanied by natural waves rather than a frizzy perm ala Cyndi Lauper. Since Alice Dellal hit the it girl circuit in 2007-8, shaving half your head has been the look du-jour provided you had the balls and/or bone structure for it. It’s most flattering with long hair cascading down one side of the face and effectively turns long haired fairy girls into badass Neo Goths.

For boys the undercut paired with a side fringe has been promoted to the chief indie hair style. It’s also been seen with the edgy blunt bowl cut that’s come back with such force-I‘m sure Spock would be proud.

What I am not convinced about however is the faux undercut. It was rather sweet at Marnie Skillings SS09 (half the model’s hair was slicked back and pinned under the other side) but let’s face it, with an undercut it should be all or nothing. Would Lady Gaga wear a kitten heel? And while I’m on the subject, don’t give me that half corn-rowed hybrid either. Trying to be both ghetto and punk does not work. Hence why such a thing as ghutto is neither a musical genre or style.

In my experience, Melbourne girls seem to have no qualms with undercuts. To put it simply, they look hot. Coincidentally though the girls with the best undercuts also have a figure like Alice Dellal and an avant garde style to match. I suppose the conclusion to be drawn here is that attitude is a prerequisite for this look. Undercuts go hand in hand with a ‘no apologies style’ and that’s how it should be.

Words: Emma Do
Photos: Max Sanderson

Street Fashion: Flinders Lane

Wed, 01 Dec 2010 10:45:00 GMT

Flinders Lane: arguably the best street fashion in Melbourne. What do you think?

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Photos: Hayley Hughes

New Fashion: is red black's new imposter?

Wed, 01 Dec 2010 10:47:00 GMT

Amongst the sea of Black that is Melbourne's most stylish and fashion-savvy crowd a sneaky impostor is beginning to emerge. Its name? Red.

Yes colour does exist beyond the Pantone mug and whether Tomato, Blood, Ruby or Scarlet is your hue of choice it's time to break out of your comfort zone and make friends with said eye-grabbing colour.

Like this daring crowd audaciously splash it across jackets, cardigans, jumpers and- if you're ready- maybe even pants. But don't get too carried away. "Balance" is the key word your teacher would make you underline here. Think small concentrations or "highlighting" using colour selectively as an accent for quirky individualism.

Perfect for all you 'colour-phobes' out there, but if you still need easing in then opt for the accessory or make up route. Tease us with red hats scarves belts and shoes or paint your pout-perfect lips with make ups latest love affair: a matt red stain that will brighten your paler winter complexion and look pretty damn hot too.

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Words and photos: Tilly Pearman

Photo Shoot: Max Sanderson Fallen Woman

Tue, 07 Dec 2010 22:44:00 GMT

Max Sanderson is a designer photographer blogger and artist or total package. What can't this man do you ask? We're scratching our heads ourselves: he designed, styled and photographed this photo shoot for his label Fallen Woman that Melbourne Street Fashion can bring you exclusively on these pages. Yes, you do want to read more.

Melbourne Street Fashion: What makes Melbourne special?
MS: In my opinion Melbourne is the most beautiful, vibrant unique and interesting city in the country.

The European feel, cafe culture and relaxed atmosphere really makes the city what it is. Melbourne fashion has its own strong identity, it isn't afraid to trying new things and being independent that's why I love Melbourne fashion and art culture so much.

Melbourne Street Fashion: What were you like as a child?
MS: I was always a bit dorky, obsessed with lego, always building new creative things and taking adventurous endeavours with a vivid imagination. Eccentric and outgoing, secretly listening to Kylie Minogue on cassette in my bedroom!

Melbourne Street Fashion: If you could be on the cover of any bands CD/LP who would it be and why?
MS: Roisin Murphy Overpowered. It is a fabulous album so full of life and energy. The perfect music to get ready to every morning!

Melbourne Street Fashion: Magazines or Blogs?
MS: I think both have a lot to offer and they both provide the market with different things. Blogs have immediacy, they are always reporting on the latest often as it happens. Frequently updated, easily accessible and of course free. Magazines often provide more in depth articles with more than just a report or review they are concise jam packed and portable. As wonderful as blogs are and what they can offer I don't think people will ever get sick of the comfort of a nice magazine.

Melbourne Street Fashion: Vanilla or Chocolate?
MS: Chocolate because its the best!

Bio: originally I was only interested in fine art and photography and have always been an extremely creative person. I have been sewing since an early age and have always been very passionate about fashion, however I never thought I would be able to design my own clothing line. My label Fallen Woman only truly came together as a label at the beginning of 2010 although it has already developed into a small collection. The pieces are predominantly targeted at a menswear market, however I don't believe in rules and the pieces are unisex, thats a view I tend to have about most fashion.

I have been passionate about photography for year, I work in a fashion/editorial style employing hard flash to give the raw urban and hard edge aesthetic that I love. I am inspired by the work of David LaChapelle Horst p Horst Bill Henson and the add campaigns of Vivienne Westwood Lanvin and more locally Trimapee.

I hope that in years to come Fallen Woman will be stocked in boutiques around Melbourne and perhaps a flagship store...one day.

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Words: Phoebe Montague
Photos: Max Sanderson

Illustration: Genna Campton loves Vanilla

Wed, 01 Dec 2010 10:50:00 GMT

Genna Campton is an illustrator that Melbourne needs to know about. She likes chocolate and is from Sydney but don’t hold that against her, she’s crossed the border and now calls Melbourne home.

What makes Melbourne special?
I moved to Melbourne from Sydney just over a year ago....and I'm very much still in the honeymoon phase. Melbourne is exciting welcoming creative and not afraid to try new things. I also love that I can ride my bicycle nearly everywhere.

What were you like as a child?
Creative. My sister and I used to spend hours making clothes for our barbies painting and baking for our family. My mum taught us to sew at a very early age. Lets just say I'm a much better illustrator than a seamstress though.

If you could be on the cover of any bands CD/LP who would it be and why?
Maybe the Cure it would be fun to do an illustration inspired by 'The Lovecats'. Or a soundtrack to a Wes Anderson film. I love the aesthetic of his films so to do any artwork for his projects would be amazing.

Magazines or Blogs?
For me they serve completely different purposes. Magazines are a treat that I look forward to on a monthly or bi monthly basis. It's a great feeling having a fresh magazine to pore over, read and reread. Plus artwork looks much better on paper than on screen. However blogs allow a daily fix of information and inspiration.

Vanilla or Chocolate?
Chocolate for the taste and Vanilla as a scent.

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Words: Phoebe Montague
Images: Genna Campton

Street Fashion: Autumn Layering

Wed, 01 Dec 2010 10:52:00 GMT

There's an art to layering in fashion. That knack of playing colours prints and proportions off each other so amazingly that you avoid the "overload" effect and look like you've been on a spree in Shag.

Admittedly those who pull it off will always exclaim to have just “thrown it together” but let’s “pretend” that they have actually scoured their wardrobe/ bedroom floor and played dress up in front of their Ikea full length mirror and come up with a joyful display of layered goodness. The result may be these stylish wonders who I would score an A+ for their pretend 'How to Layer for Autumnal Sunny Days' exam.

Playing wrap up/ undress these trendy folk have the knack to show some flesh for the sunshine but team their summer micro shorts or vintage dresses with Winter Warmers for the clouds that will inevitably bring a chill. It’s this transeasonal period that unearths those fashion dilemmas such as “can I still wear open toe shoes in May?” (yes if they are wedges or clog-like) or “is wearing a scarf with a t-shirt a bit contradictory?” (yes but it works so go ahead).

Your mum’s not lying either when she tells you that warm feet hands and head mean a warmer body. So befriend a mum-approved pair of sturdy boots (lace up military or cute ankle are advised) and learn to love your knitwear. Whether it's cable, rib or hand just make sure it’s chunky and possibly mustard yellow.

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Words and photos: Tilly Pearman

Street Fashion: April 2010

Wed, 01 Dec 2010 10:53:00 GMT

Street fashion in Melbourne from April 2010.

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Illustration: Goats, Creeps and Nina Waldron

Wed, 01 Dec 2010 10:54:00 GMT

There is much to be said about the ‘slashie’. You know… model/actress comedian-slash-writer or socialite-cum-designer/singer/actor/Botox experiment (the kind that spawned a revolution of injecting arse into face). Interestingly, the very notion of melding trades has become the norm and the idea of the ‘expert’ has transcended into a mish-mash of professions: a slushie if you will.

Whilst they might have a bit of a bad rep since the term gained notoriety (circa 2001 with Zoolander) the slashie as a reputable career move has undoubtedly seen success. We only have to think about Kylie Minogue Sarah Murdoch and (ahem) Joaquin Phoenix. Enter Nina Waldron: artist/illustrator/designer. The talented young thing has been drawing since she was a child. What began as block letter headings and pictures of pretty girls with eyelashes and high heels became - at the tender age of 13 - male prostitutes and serial killers (slashies on a whole other level).

“I suppose based on other’s reactions it can be described as tweaked and not suited to be hung in a child’s bedroom. I like to think that my unattractive friends are almost adorable pitiful but loveable ” says Nina of her art which depicts peculiar characters in beautifully intricate detail.

Fresh out of VCE and with aspirations to study Fine Art at the VCA Nina primarily occupies her time in arty endeavours. She most recently carved her beloved characters onto wood to make brooches and unisex necklaces - positioning her in the realm of entrepreneur with pieces available at Melbourne boutiques such as Corky St Clair.

As far as inspiration goes Nina has plenty of it. Residing in Melbourne - home of the gothic streetscape and the kooks that amble in them – means that “the creeps of the world inspire me.” Perhaps this is the catalyst for Nina’s pursuit to view her slightly disturbing yet charming illustrations emblazoned on the t-shirts and dresses of the hip and trendy - a curious combination of the bent and the budding.

In an attempt to garner support from art enthusiasts and curious cats alike Nina says “Check out my blog dawg.” It’s a quirky and hilarious insight into her world although some may question the recurring goat references. “My parents called me a goat when I was little for some unknown reason” Nina explains. “Dad used to always say ‘Goooaaat-ahhh’ like I was a footballer or something. Recently I decided to embrace the persona. I also think that goats are generally mischievous and slightly unnerving.”

Whether you choose to call Nina an artist/illustrator/designer or animal of the horned variety one thing is for sure: the girl has skill and not the kind you see on shows like Australia Can Dance or So You Think You’ve Got Talent – you know what I mean.

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Words: Denise Osman
Images: Nina Waldron

Fashion Week 2010: Street Style 4

Wed, 01 Dec 2010 10:57:00 GMT

The fourth installment of street style from L'Oréal Melbourne Fashion Festival 2010.

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Fashion Week 2010: Street Style 3

Wed, 01 Dec 2010 10:59:00 GMT

The third installment of street style from L'Oréal Melbourne Fashion Festival 2010.

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Fashion Week 2010: Street Style 2

Wed, 01 Dec 2010 11:01:00 GMT

The second installment of street style from L'Oréal Melbourne Fashion Festival 2010.

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Fashion Week 2010: Street Style 1

Wed, 01 Dec 2010 11:02:00 GMT

Street style from L'Oréal Melbourne Fashion Festival 2010.

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Fashion Week 2010: Indie Runway

Wed, 01 Dec 2010 11:08:00 GMT

It’s sometimes difficult to critique the L'Oréal Melbourne Fashion Festival Independent Runway in a way that is respectful to the presenting designers – as independents they’re forced to edit their collection down to 8-10 looks. After criticising two of the following designer’s collections after the show I was reminded that had I in fact been able to view their entire collections I may feel differently about them. This was an accurate observation and one I hope Melbourne Street Fashion readers may take on board when reading my reviews. I have certainly kept it in mind while making them.

Alistair Trung: Maybe I’m just more susceptible to succumbing to current trends than I lead myself to believe but once again I was delighted to view another dark and deconstructed collection at LMFF. Several of the minimal and androgynous looks were styled with what appeared to be full pelts (although I do hope they were faux) which gave the collection an actual AW10 authority that many designers I’ve seen thus far were seriously lacking.

Thãnh: Refreshingly simple the range consisted of a black/grey palette of basics with a twist in the form of cable knits ruffles cut outs fringing and very mild metal embellishments. Highly wearable and comfortable without sacrificing interest in design.

Lui Hon: Great to see more menswear at LMFF although Hon’s collection is probably more unisex than men’s specific. Relaxed draped knits in shades of black blue and white with interesting textures of velvet and leather thrown in made this small collection a well-edited favourite of mine.

Magdalena Velveska: Welcome back mustard it’s been a few seasons for you. This highly unflattering colour looked surprisingly appealing as it sashayed down Velveska’s AW10 runway along with cherry red and winter’s traditional grey and black. Cinched sack-dresses draping and pleating accompanied this season’s favourite statement shoulder in various forms.

FOOL: What I love about FOOL is the uncompromising conviction to the label’s distinct aesthetic. Featuring absolutely no black grey or white the label again raised it’s middle finger to everything you ought to expect from an Australian AW10 collection. Like a fruit salad shades of citrus apple and berry paid homage to larger-than-life Japanese street style with exaggerated volume and shape. One may argue that this is nothing new for the Prahran-based label but sometimes being quintessentially yourself is the hardest accomplishment amongst so many so-called designers constantly stealing from everyone else. Veil like headgear added whimsy while grommets and miniature pom-pom accessories completed the collection.

House Of Baulch: The second Australian accessories label to ever have a dedicated runway (the first was designer Kathryn Baulch’s previous efforts at accessories powerhouse Mimco – what a pioneer!) Baulch needed to up her ante by creating larger than life runway-specific pieces to compliment the RTW pieces in her AW10 collection Geospektra. Like a dystopian futuristic vision from the 80s her range of jewellery and bags are sure to delight those seeking to make a statement. Especially a fan of House Of Baulch as this label is stocked at Alegorie.

Alexi Freeman: I felt that Freeman's collection was very poorly edited for runway - rather than focusing on a core of the collection that was susinct and told a story three key 'looks' were taken from a much larger collection and ended up looking schizophrenic. While I liked each 'look' within the runway edit I felt agitated by the jumble of styles presented.

Papillon Homme: The skinny-everything look for men is championing through AW10 and I for one am not displeased. Blazers slashed denim and casual shirts a plenty this versatile menswear range has a business meets rock-n-roll aesthetic. Perfect if you have band practise after work.

Daniella Orlando: Orlando’s laid-back AW10 collection featuring black plaids riding coats blazers and motorcycle elements screams country club rebel. Which is not something I personally want to scream but it makes for a cohesive collection sure to appeal to jaunty princesses with something to prove.

Of Cabbages &amp Kings: Exaggerated shoulders and hips made for aesthetically interesting viewing at OC&amp K’s AW10 runway. Made up of a series of intricate origami-like folds this considered collection is a testament to the creative vision of OC&amp K designer Tane Andrews. Yes if that name is familiar it’s because he’s also a model. Too talented. I would have liked to have seen this runway styled with pieces from OC&amp K’s inspiring jewellery collection.

Kuwaii: This was another collection I felt was possibly poorly edited for runway – several pieces didn’t seem to make sense in the context of their surrounds. The pieces that worked made up a simple but commerically viable range of winter treats begging to be dressed up with bold accessories. Another runway seriously lacking the jewellery runway stylist Ryan Lobo should have pinched some pieces from House Of Baulch to give this collection the kick it needed.

Kylie Hawkes: Clean-cut neutrals in mude beige black and grey I need some Kylie Hawkes in my AW10 wardrobe NOW. Sleek and stylish with sweet sheer details there’s a real element of understated femininity in this collection that I just adore.
Who Am Eye: This range of men’s casual wear has a real industrial undertone that appeals to me. A mix of great jackets pants that aren’t denim – hooray! – and relaxed knits. Miltary tones are coming through again in this collection – a precursor of a theme that is going to explode on the high street for men and women alike.

above.: I was very lucky to attend the LMFF Business Seminar on Friday where a very brave audience member asked Francisco Costa the Womenswear Designer for CK Collection how he managed to avoid falling into the design pitfalls of the vulgarity of the 80s which is so popular right now. As crass and embarrassing as this question was (you could feel the audience collectively cringe and Costa himself even raised an eyebrow) I felt that above.’s AW10 collection had a very subtle 80’s energy – but not with the vulgarity often associated with the styling of the era. The tans beige and navy tones used throughout were a luxe combination I’m enjoying more and more each time I review the collection.

Melanie Bower: This sleek and feminine collection felt like Sass&amp Bide meets Alice McCall down a dark Melbourne alley. Dark tones and interesting textures many of the garments had sneaky cut-away detailing at the back. J’adore.

Words: Alicia Hannah Naomi
Photos: Alastair McCann

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Street Fashion: March 2010

Wed, 01 Dec 2010 11:03:00 GMT

Street fashion from Melbourne in March 2010.

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Complex Geometries with FAT

Wed, 01 Dec 2010 11:12:00 GMT

Held at RMIT Alumni Court at the old Melbourne Gaol all historical morbidity was shoved aside on Wednesday night to make way for FAT’s rather simple showcasing of Montreal label Complex Geometries. The event heralded quite the turnout- edgy young things came for the clothes and stayed for the good vibes radiating all round.

The recipe for said success involved little more than coloured lights a DJ free drinks and an expansive (albeit fake) lawn. Ah and of course the tiny Mongolian Yurt shoved in the corner too. A lovely girl who warned patrons of the low ceiling of the entrance (a warning which I did not properly heed to much to the detriment of my cranium) manned the doorway to the Yurt.

Within its circular perimeter lay a desk and two racks of cotton dresses and oversized t-shirts which left barely enough room to peruse comfortably without knocking something over. The clothes themselves all fail safe black white and grey were anything but the oft uttered cliché “simple with a twist” which in most cases translates directly into “boring”.
From afar the pieces appeared to be seemingly simple but once lifted off the rack they were completely perplexing. Oh yes there was much more than just a “twist”. There were drapes folds and asymmetry nips pleats displaced sleeves and spangled floor trailing bits (if you’re having trouble envisaging anything my friend aptly described the clothes as “very complex potato sacks”).

These “complex geometries” amounted to a great deal of confusion as to which limb was to be inserted through which slot in the garment but the quiet complexity was all part of the beauty. Personally if I could ask for anything more it’d be for a smoother fabric. The fluidity of the pieces could be enhanced by trading the “I washed this t-shirt too many times and now it’s kind of thin and starchy” material for more jersey.

However, Complex Geometries - known already for its functionality and trans-seasonal appeal - will no doubt be welcomed by the Melbournian crowd. Let's face it: the whole city seems to have an inherent liking for effed up basics.

Complex Geometries is available from FAT Stores. FAT is also holding their infamous garage sale from now until April 5th. Rock up to 210 Brunswick St and you may be able to score some other 'basics with a twist' for a margin of the price - including Cheap Monday, Bassike and Skinny Nelson.

Words: Emma Do
Photos: Hayley Hughes
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Fashion Week 2010: Runway 6

Wed, 01 Dec 2010 11:17:00 GMT

Melbourne’s sweethearts ALPHA60 opened the L'Oréal Melbourne Fashion Festival L'Oréal Paris Runway 6 presented by Yen – one of the most anticipated fashion shows of the week. A label known for their penchant for a dark palette they offered a collection – gasp! – devoid of black. Draped breezy silk garments in olive green and deep purple were the premise of the collection with a bird eye and feather print used throughout. Guys were given a softer look for the coming season with silk jumpers and cropped beige trenches. The inspired collection showed the breadth of the label and the duos’ courage to challenge their loyal customers to try something new.

Following ALPHA60, Carly Hunter also favoured loose-fitting silk designs which ended up being a theme echoed throughout the evening. To toughen up the collection Hunter used zip detailing on various pieces. A nice touch but it’s a look that is likely to be reproduced by stores everywhere this season. Nevertheless it was a sweet collection.

Next New Zealand label Nom*D brought impressive designs to the runway. In their signature style dresses jackets and tops were shredded and draped with lots of layering. Staying true to their vision and their name looks were accented with Little Red Riding like hoods and 1930’s inspired lace-up riding boots. Their tassel leather vests for both men and women were particularly amazing. Comparing this collection to their last Nom*D have refined their aesthetic and are likely to win over a whole new set of fans.

Somewhere between wearable and art Former RMIT graduates S!X showed the most fantastically massive (faux?) fur coats I have ever seen. Long asymmetric dresses were a popular look particularly notable when donning the American and Australian flag. Like the other labels S!X predicts silk will be a popular trend this season offering dresses trenches and trousers in the fabric. This collection will be favoured by those after a slightly more edgy look this season.

Next was New Zealand label Zambesi. Smart tailoring defined the collection with suits structured jackets and trousers on display. Not all Zambesi’s jackets were structured with soft trenches on offer. Key pieces included a long-sleeve ribbed dress and a cage cut-out jacket. Despite a ‘last-season’ trend the jacket worked looking sophisticated yet edgy. Having recently celebrated 30 years in the business Zambesi have developed their technique and have only become more stylish with age.

Young label Limedrop took to the runway next. Threatening ALPHA60 by becoming Melbourne’s next darling label, the pair presented wearable pieces with a cloud theme used throughout the collection. Cloud tops paired with matching blazers looked great on the guys while fabulously shiny black pants gave women a sexy androgynous look.

What to say about Jack London? Not surprising they offered youthful suits, pea coats, scarfs and skinny ties. Nothing new but they are no doubt giving their customers what they want. Still they showed that there is little excuse for Aussie guys to ever be wearing a shapeless, daggy suit.

Closing the night to Yothu Yindi’s “Treaty” it appeared that TV, like ANT!PODiUM, were paying homage to their homeland. With not a body-con in sight, a prevalent look in their previous collection, Models strutted out in flattering long-draped dresses sexed-up by flesh-revealing knot features at the front and back. Never one to shy away from colour, the duo presented striking lime dresses and sheer blouses. Still inspired by their SS09/10 the Aztec-esc line print that defined their previous collection was again used on wearable tops and leggings.

To the cringe-worthy-yet-infectious bop of the Vengaboys’ “We Like to Party” the crowd was taken back to the ‘90s with bustiers and knee-length dark denim skirts and dresses. A tiny butt hugging floral denim two piece stood-out (for reasons other than the models perfect bum). Key pieces included the floral jumpsuit and print pants.

Runway 6 served as a perfect example – and as reminder amid the countless international fashion weeks this month – of the inspiring talent that we can find right here in Australia (and of course New Zealand).

Words: Jean Kemshal-Bell
Photos: Hayley Hughes

Fashion Week 2010: Runway 7

Wed, 01 Dec 2010 11:16:00 GMT

Martin Grant’s return to our shores with his presentation at last night's L'Oréal Melbourne Fashion Festival L’Oreal Paris Runway 7 parade showed just what Australia has been missing all these years. Grant has spent the last 18 years in Paris and it was clear as he opened the parade just why his popularity reigns overseas: master tailoring and attention to detail.

From tailored, sculptural shapes in grey, black and fuscia the audience was moved to another Australian favourite in Akira. Polka dots with small origami details were unexpected but only Akira could somehow pull it all together. The sheer fabric against wrapping and folding details was signature but somehow new none the less.

More ‘Melbourne black’ followed with Fernando Frisoni in tight jersey jumpsuits and digital prints. The music ramped up and you may have thought you were at a rave with models falling in step to the beat of the heart thumping music. Almost futuristic with patent plastic details the collection just held back on what could have been quite groundbreaking material.

Scanlan &amp Theodore echoed Aurelio Costarella from Runway 3 with leather garments so soft you could hardly believe they’d managed to achieve a drape effect. Grey and muted tones seemed subdued but billowing pleated pockets and a stunning metallic ending showed that Scanlan know their customer well and can deliver time and time again.

Tina Kalivas took us on a departure with an African theme the only other designer this week to show something remotely tribal aside from Megan Park. Kalivas was intelligent in her approach appropriating colours and details that were uniquely African while incorporating her signature fluoro accents. Leggings under dresses and huge gold jewellery stormed down the catwalk in what was a stand out collection for the night.

Back on the theme of muted grey separates Timothy Godbold showed layers maxi dresses and similarly to Scanlan large pleated pockets. Extreme tailoring was a burgeoning theme of the night with Godbold ending his collection with a long line jacket that could almost be worn as a dress.

Michael Angel closed and it was inspiring to see another antipodean show on Australian shores with a thoughtful and mature collection. His signature digital prints were fused onto laser cut dresses and tops with flounces that were cut to precision. Elbow length leather gloves adorned the models arms and although there was body-con galore Angel’s version was well constructed and looked as though almost anyone could wear it.

Words: Phoebe Montague
Photos: Alastair McCann

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Fashion Week: Dai Fujiwara

Wed, 01 Dec 2010 11:19:00 GMT

There's something humbling about Dai Fujiwara as he addresses a packed out lecture theatre at Melbourne's RMIT. Maybe it's his interpretation of the English language or perhaps his stereotypically petite Japanese frame? Whichever it is the creative director of Issey Miyake certainly manages to win over his patient listeners with a rare and insightful talk about the brand that many (including myself) had left behind in the nineties.

"Well-worn books in the library" are discussed by lecturer Robyn Healy before introducing Dai to the stage. It's a clear indication to the long-lasting love affair we as a nation have with Mr Miyake. Invited by the University to speak in conjunction with the current exhibition The Endless Garment (curated by Robyn Healy) and as part of the LMFF schedule, Dai journeyed with us into his world of rounded simplicity and daring innovation.

Speaking predominately on his A-POC concept which he developed back in 1998 Dai touched on notions of the highly topical sustainable design and the incredibly Eastern approach to dressing the human body. As a man who has the rare ability to fuse science with beauty Dai explains how his ongoing relationship with technology led him to A-POC.

The design "system" as he classes it challenged the way we perceive cloth via a computer-programmed knitting machine that creates tubular lengths of fabric with pre-set patterns inside. No longer constricted to the conventional methods of garment construction A-POC uniquely allowed people to cut the fabric themselves following pre-made guidelines that welcomed a new dialogue of genderless and ageless design. This unique approach to fashion not only focussed on less fabric waste but also contributed to a widening trend in integrated design with higher customer engagement.

Seemingly always two steps ahead of the more "trend"" led fashion pack the Miyake brand became as much about self-education as it did about educating the customer. Teaching us the relationship between clothing and the body was another unique concept that the 4 Dimensional design philosophy routed within A-POC stood to represent. A-POC (A Piece Of Cloth) A-POS (A Piece Of String) A-POM (A Piece Of Machine) and A-POE (A Piece Of Education). Almost childlike in its simplicity this 4-part explanation perfectly depicts the slowed down and unfolding way in which Dai's mind works.

A we listen attentively and giggle at his pronunciation of the word ""vacuumer"" stories of colour research trips to the Amazon Jungle - where they scientifically investigate the colour of leaves water and soil - help us understand his love for acute detail and the poetic language of texture colour and line within fashion. His emotionally connected outlook later reveals his childhood love for the wind and how this subsequently led to the highly inventive collaboration with Dyson vacuums.

The collaborative attitude is something which underlines a key relationship style within the Miyake team. Again a clear learning process for them the collaborative method usually welcomes architects scientists or product designers who are in no way obviously connected to fashion. During the talk Dai points out furniture designer Ron Arad and Mathematician William Thurston to justify this point and explain how the two can happily join together and form innovative new design.

He concludes with a video of the latest Autumn/Winter collection which took place in Paris earlier this month. Appropriately drawing the evening to a close the mathematical inspired collection draws on the aforementioned Thurston with the consolidated conception of ""beautiful geometry"". Shapes and models relating to the universe inform mathematical inspired tubular constructions that drape around the body in a colourful balance between scientific formulae and aesthetically pleasing art. As the final model steps out onto the catwalk we begin to applaud not only to the fabulous collection but to Dai Fujiwara himself and his rare and beautifully intelligent mind.

Words: Tilly Pearman
Photos: Holly Childs

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Fashion Week 2010: Runway 4

Wed, 01 Dec 2010 11:23:00 GMT

Booties and socks. Hhhmmmm I believe the last time you might have worn this combo was circa 1994 when 90210 was du jour and chambray wasn’t being ‘re-visited’ but the height of fashion. It was a trend throughout last nights L'Oréal Melbourne Fashion Festival 2010 L’Oréal Paris Runway 4 parade that Arabella Ramsay kicked off with her models wearing stacked tan boots and snowy white socks. Her girly take on autumn fashion was haute grunge that will no doubt be snapped up by youngsters that weren’t there the first time around.

Gorman’s collection popped with oversized pom poms and again booties with socks. A preppy nautical theme developed but with a humorous twist the breton stripes being off set by bright yellow and red socks and pom poms.

By the time Karen Walker showed it was almost as though ‘pass-the-trend’ was emerging before one’s eyes. Booties and socks from Ramsay to Gorman stripes from Gorman to Walker. Black and white layers and neatly constructed striped dresses were dumure for Walker yet wearable and will no doubt walk off the racks.

Lucette showed wet look leggings (or pants if we are to believe this conspiracy) and although sexy the trend is tired and had its time. Slouchy low slung pants and easy separates saved the day however and you could easily see Melbourne taking up the mantle for Lucette this autumn.

Manning Cartel was all grown up in knee length dresses (virtually unseen this week so far) and A-line jackets. A nice intro before Mimco’s collection stormed down the catwalk all stacked up accessories on couture bag ladies.

It is understandably hard for an accessories label to show on the runway. A ‘less is more’ approach may have helped the audience see what was on offer for the coming season rather than piling one thing on top of each other however. Stand out pieces like a blue leather snap purse and floral necklaces were lost amongst the OTT styling.

Obus bought us back to booties with long socks and muted burnt tones layered up in what the Melbourne label does best. Cardigans leather skirts and socks over stockings were young and sweet but not twee.

Yeojin Bae closed with stunning structure and corsetry looking like the elegant older sister to what had been quite a young parade. It would be nice to see Bae graduate to the show with the likes of Runway 3 as she clearly has the goods to back up what struts down the runway.

Words: Phoebe Montague
Photos: Alastair McCann

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Fashion Week 2010: Metamorphosis Student Showcase

Wed, 01 Dec 2010 11:21:00 GMT

Frantically scribbling in our notebooks us writers found their fingers numb after lasts night’s inspirational Student Metamorphosis Showcase at the L'Oréal Melbourne Fashion Festival. The youthful upbeat energy arose before we had even took our seats gripping a flurry of style-hungry spectators who were eventually rewarded with macabre indulgent floor dresses geometric laser-cut trousers cage dresses and lessons in asymmetry.

No holding back these young designers from various institutions and colleges in Australia (including Melbourne’s RMIT) went all guns blazing with forward thinking design and directional pattern cutting that certainly re-ignited a creative flame amongst the festival.

Opening the show Georgia Lazzaro appeared to take us to the Egyptian desert where asymmetric floor skimming dresses moved classic garments forward into beautifully cut simplistic notions of modernity. Clean and minimalist Yoan Hendrick Limah’s collection followed a similar aesthetic. A nod to Eastern dress saw classic tailoring fabrics rework into a refined draped androgyny for the modern day assertive woman.

Meanwhile Albert Lee’s softly draped wool jumpsuits and dresses created similar loose elegant lines that translated to blooming proportions. With undertones of early Comme des Garçons Lee sustained a clean emotional beauty via his stark and monochromatic colour palette of just black and white.

Breaking this simplicity of line Christiana Livaditis gave us a gothic dreamland with romantic ruffles and fluttering opacities that resembled long mourning dresses punctuated with sequins and delicate lace. Her couture-like execution definitely made her a name to watch- to which we could also add Daniella Caputi. Her geometric laser cut dresses stole the show for fabric manipulation and delicate decorative aesthetics. Spidery and lace-like fabric was cut away to seductively expose the skin whilst remaining at all times graphically fresh and modern. Matching statement neck pieces hung from model's necks- their clean architectural inspired cut-outs joining a growing trend in stark wooden jewellery.

Taking us back to basics and the idea of subverting from tradition Ellie Meyer’s collection of re-positioned pattern pieces and fragile shell-like constructions touched on ideas surrounding human anatomy. Voluminous ruffles were formed from multiple-cut and stitched bodice pattern blocks sharing a heavy textual and tactile aesthetic with designer Danielle van Camp. Danielle’s flirty ‘clown ruffle’ blouses in candy pink juxtaposed with disco-ready pantaloons in a fun and colourful collection that suitably walked out to a Cocorosie soundtrack.

Olivia Jung was another designer who embraced colour rounding up the evening with “Celospectra”- a futuristic take on the Egyptian ruler Cleopatra. Taking the decorative and ornate beauty of ancient Egypt and updating it with body-con silhouettes mesh panelling and structured 3D beading Jung presented futuristic power dresses that gave Christopher Kane a run for his money! Her intricate and amour-like surface embellishment captivated the audience ending a truly inspiring night of Australia’s most forward-thinking new designers.

Words: Tilly Pearman
Photos: Holly Childs

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Fashion Week 2010: Runway 3

Wed, 01 Dec 2010 11:30:00 GMT

Bertie Blackman opened last nights L’Oreal Paris Runway 3 show with her hit Byrds of Prey and it seemed as though the audience was in for a bright start to the show. Catwalk suicide ensued with backstage crew packing up the band leaving the audience in dim lighting and wondering whether they were at a parade or shoddy gig for the next 5 mins.

Eventually some music kicked in, the men in black disappeared back stage and Thurley opened the show with embellished necklines and her signature lace dresses. The clothes were typically Melbourne wearable layers in black and oyster with leather gloves thrown in to toughen up the pretty girl look. The collection was grown up and demonstrated how far Thurley has come since its inception in 2006.

Aurelio Costarella showed next with grey leather jackets and skirts so soft you could be mistaken for thinking they were fabric. Leather peppered his entire collection in gloves belts and jackets if it wasn’t used to make the garment itself.

Nevenka sent the models down the 50 metre long catwalk with what at first glance looked like cow bells around their necks but as over heard in the front row they were actually fans that were un-opened made into necklaces. Accessory crisis averted the collection-fused lace and velour with structured dresses and fur thrown in for good measure. Safe certainly but from a retail point of view golden.

Anna Thomas did her usual jacket/box-pleat-skirt/1950s combo but rather than being peppy like her SS08/09 collection it looked middled aged and tired. Signature red jackets and prints mixed with jacket after jacket and the occasional trench coat produced yawns not gasps from an audience who could just have easily bought the same labeless garment from a department store.

Megan Park diverted slightly from the lady-like theme of the evening with the only nod to tribal seen so far this week. Not quite hitting the mark the collection of belted dresses in green purple and floral were accented by scarves sequins and beaded accessories. Perhaps Park is ahead of the fashion pack with the ethnic/tribal theme but it looked as though she’d missed the whole trend that was huge two years ago.

Lisa Ho’s offering was ecclectic showing mixed prints feathered skirts structured shoulders and embellished tops. The direction was hard to pin point but she did at least show her staying power in the industry with an ostrich feathered wedding gown capping off the collection.

Sequined shorts dresses and skirts signalled Jayson Brunsdon's arrival with his signature look re-invented for autumn. Silver grey and soft apricot separates were punctured with black sequined capri pants and although the collection wasn’t ground breaking in a similar vein to Lisa Ho he showed that he knows his demographic and can cater to it well.

Gwendolyn closed with a collection of almost entirely floor length gowns- a first amidst a week of tight body con and mini dresses. 1930s drapery and delicate embellishment screamed ‘Get me to a red carpet pronto’ but rather than being yawn-out-loud her interpretation was intelligent and measured. Oyster grey and cream chiffon wafted past the audience and left most with a strong desire to become a screen siren if only when wearing a Gwendolyn dress.

Words: Phoebe Montague
Photos: Alastair McCann

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Fashion Week 2010: Runway 2

Wed, 01 Dec 2010 11:28:00 GMT

Last nights L’Oreal Paris Runway 2 show could have been mistaken for every fashionista’s wet dream come true. Edgy clothes that make you look individual whilst being wearable at the same time: the point of a retail event like LMFF summed up in one.

There is more to it however and Romance was Born kicked off the show to the tune of Dolly Parton’s ‘9-5’ with models strutting along clutching fist fulls of cash. Showing possibly the most anticipated collection of the evening the duo’s signature mix of fluoro humorous knits and voluminous shoulders were all on parade - with most notably the rhinestone embellished Cancer Council sunglasses. Nanna’s of Australia eat your heart out.

Anna Plunket sat front row in what will no doubt be seen in knock offs coming to a chain store near you - a deep purple brocade mini dress with massive multi layered sleeves a la a flamenco dancer.

Ellery followed with most models in thigh high leather boots and suspenders. Messy victory rolls and sunnies lent a sort of 80s lady like glam to the styling of a wearable collection that included mostly separates and slick dresses.

Fredrich Gray echoed the leather theme with models wearing more thigh high boots only his interpretation was to pair it with tiny body dresses and leggings. What looked like a Rodarte inspired black knit dress capped off a collection comprised of tie-die paint splashes and muted tones. Individually it was a bit boring but together formed quite wearable clothes.

ANT!PODiUM looked set to rival Romance was Born with their tongue-in-cheek poke at Australiana - knitted lizards slung around models necks and what looked like crocheted blankets worn as scarves. Sadly RWB had this theme covered in their SS09 collection and so this came off as the daggy cousin trying desperately to keep up. Hilarious yes but will it walk off the shelves?

80s sport inspired separates are what Gary Bigeni has in mind for women this autumn showing lycra dresses that leave nothing to the imagination along with jersey separates. Supre will no doubt have a field day ripping off this collection because teenage girls are quite possibly the only ones who could wear it.

In case the crowd weren’t already wondering what era the designers had in mind when pulling their collections together Arnsdorf took us back to look at the 1930s with high waisted pants shorts and well cut jackets. Grey Gardens came to mind with the soft tailoring and muted colours set against splashes of deep crimson the high point being a red mini dress with voluminous sleeves.

Dion Lee showed the most technically brilliant of the evening with structured panelling and pleating details. He left the audience with doubt as to his talent in clothes that were intelligent yet wearable. White shirts dark colours and pieces that could be worn separately or layered made the collection a stand out of the evening.

Therese Rawsthorne had the task of closing and echoed what had become a clear theme of the show: separates. Jackets shorts skirts and sweet dresses were all wearable in a similar vein to Fredrich Gray. A punchy ending to an eclectic mix of clothes would have balanced the entrance of Romance’s ‘Nightmare on Wall St’ theme but the point isn’t always wowing the crowd. Or is it?

Words: Phoebe Montague
Photos: Hayley Hughes

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Fashion Week: Insert Coin Here

Wed, 01 Dec 2010 11:34:00 GMT

There's a buzz around Insert Coin Here a group exhibition held in two vending machines roving the streets of Melbourne. Curated by Nella Themelios and Kim Brockett, this show sees 'fashion objects' by over 60 artists and designers - including Dylan Martorell, Sarah McNeil and Jarrod Zlatic - dispensed randomly to the public for $2 a pop.

So far the vending machines have appeared at Craft Victoria and at Captains of Industry with the fash-objects at both locations selling out in a matter of hours. The official launch, held at 1000 £ Bend, saw the vending machines again sitting empty - or at least they were empty by the time I got there. On the whole fashion at the launch was restrained but the key to the event was accessories or fashion objects some of which appeared to have popped straight out of the vending machines and into people’s outfits.

Next stop for the (refilled) vending machines will be Alice Euphemia in Cathedral Arcade where they'll sit from Sunday 14th March for a week - but you'd be silly to expect their delicious little trinkets to stay put for that long. Your last opportunity to pull something special from the machines will be The Thousands Shop in Curtain House from Monday the 22nd March to Wednesday 31st March. Don't miss out. BYO $2 coin.

Words and photos: Holly Childs

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Fashion Week 2010: Runway 1

Wed, 01 Dec 2010 11:32:00 GMT

Do you own a mini skirt and is it black? That is the question you need to ask yourself if you are planning on buying anything this coming autumn. Tight, black and super short reigned down the catwalk at last night’s opening parade for L’Oreal Melbourne Fashion Festival at Central Pier in the Docklands.

Sass & Bide opened the show with an entirely black collection in which every piece was embellished or sequined in some way. It was an interesting statement given that sequins seem to have well and truly jumped the fence from strictly evening wear to any-time-of-the-day in the last few years. This set the tone for the rest of the collections - so if you were hoping to avoid anything embellished this coming autumn perhaps think about a move to that deserted island stat.

LIFEwithBIRD showed next and was the only collection to shun embellished statements in favour of fur. Faux or not the black vests and sleeveless jackets in long alpaca hair were a striking contrast against bike shorts (yes bike shorts) and wet look leggings. In muted tones lingerie inspired garments with cream accents showed that LIFEwithBIRD understand their customer and aren’t afraid to ignore a major trend to stay true to their aesthetic.

Black sequins and military inspired gold zips strutted down the catwalk for Camilla and Marc save for some bold cerulean sequined tops. But it was Nicola Finetti who ended up showing the first entirely white dress of the night to almost audible sighs from the audience. 80s inspired body-con dresses showed that Finetti is a master at creating wearable shapes for women even if they are extremely short and tight. Every model rocked two tone stockings and 50s style sunnies lending a laid back coolness that was inspiring rather than wanting.

If there could have been a bigger juxtaposition on the night it was none other than Alice McCall who sent the models down the run way next in beanies. Bogan chic anyone? Black sequins (again) mini skirts and multiple watches stacked up on wrists paraded down the 50 Mt catwalk in a nod to grunge or outer suburban bogans. No doubt shoppers will decide whether this is cool or fool.

Fleur Wood took up the lingerie theme again with stockings soft pink slouchy tops and what was the biggest shock of the night - track pants. If we are to believe Ms.Wood this is what we’ll be snapping up as the hottest ticket for autumn. The saving grace however was the highly embellished rhinestone encrusted sunnies on most of the models. Lady Gaga herself could have made them and they pepped up what was otherwise quite a casual affair.

The best was obviously saved for last with Toni Maticevski and Collette Dinnigan closing the show. Maticevski’s metallic dresses were timeless and elegant and he by far showed the best shapes of the evening. Rhinestone cuffs stacked up the models’ arms glistened against lilac black and silver metallic dresses.

Dinnigan didn’t ignore the tight black sequined theme of the evening but also showed structured jackets and knee length skirts with a lady-in-mourning feel to the collection. Possibly the hottest accessory of the night though were the half-hand black leather gloves that come winter every gal worth her fashion weight will be clamouring to own. Goodness knows how they stayed on but as an accent they popped on the catwalk showing that Dinnigan closes shows for a reason.

Words: Phoebe Montague
Photos: Holly Childs

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Fashionable Film

Wed, 01 Dec 2010 11:40:00 GMT

We were lucky enough to receive a much sought after invitation to a once in a life time event: the very first screening of both Friedrich Gray and Romance was Born's AW2010 collection concept short films.

Friedrich Gray's film Dislocation opened the night. Directed by Tim Richardson and shot entirely in black and white, the short set a sinister scene for the coming collection. Model Emma Balfour wore dark pieces from the collection which beautifully contrasted with the cinematic scenes of barren landscapes. The film referenced the classic cinematic scenes such as those created by Ingmar Bergman. Renowned for a minimalist approach to design and refined elegance, this piece by Friedrich Gray set the tone for what we can expect to see with this new collection.

A complete contrast to the first film screened Romance was Born's City Limits did not take itself too seriously. Having fun with fashion is Romance was Born’s ethos and this film superbly reflected this. The film opened with the main protagonist seated in a limousine and dressed in an outrageously 1980's glam rock creation. She chats away on her mobile to her accountant whilst hands simultaneously come into shot that pass her slurpees candybars and a range of other random things. The film follows her on a surreal journey as she is a surrounded by a bevvy of characters dressed in OTT bedazzled (and just plain fun/crazy) Romance was Born designs. The new collection looks set to attract more acclaim and Vogue covers than their last.

Words and photos: Hayley Hughes

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Trimäpee Illusion Delusion

Wed, 01 Dec 2010 11:39:00 GMT

Trimäpee is a label synonymous with theatricality and great events. Of course this last Thursday was no exception. Illusion Delusion was held at their relatively new QV store - a space that’s been set up perfectly for these kinds of openings.

The installation featured mannequins wearing special one-off creations made especially for the exhibition. Pieces such as metal head dresses and plastic shoulder pads all styled together to look as if they were all part of a nomadic samurai warriors.

Trimäpee's new AW2010 collection is inspired by all things ancient Japanese taking elements from the traditional clothing the samurai wore and turning it into the something modern and very Trimäpee.

The crowd was suitably impressed and huddled around the pieces discussing elements of the creations while they them selves were also impeccable styled. Sighs – just what is it with fashion week that brings out the best street fashion? You can of course check out all the shots we took in the street gallery.

Words and photos: Hayley Hughes

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Penthouse Mouse 2010: Midmouse Runway

Wed, 01 Dec 2010 11:36:00 GMT

It’s hard not to notice the buzz around Melbourne this week. In the lead up to the L’Oreal Melbourne Fashion Festival which is officially on this week it seems that every store gallery designer and fashion what-not has thrown an event in anticipation of Melbourne’s celebrated festival. Unless you’re on some kind of caffeine-insomniac-fashion-crazed binge (it’s been known to happen) it’s near impossible to attend all of the pre-parties. But judging by the ‘snug’ seating that got me very cosy with my neighbour Friday night’s Penthouse Mouse runway was one event not to be missed.

With LMFF celebrating Australia’s talented established designers, Penthouse Mouse gives up-and-coming designers a space to present their latest collections during the festival. Running from the 6-19th March Penthouse Mouse – the brain child of Moth Designs which is now in its fourth year – is a temporary fashion store arts and events space and friday night was their biggie of all events – the Midmouse Runway.

In the former Naval and Military Club off Coates Lane the night started with drinks on the roof-top courtyard. After an hour or so we were invited into an intimate room for the runway.

First up was guys’ label Autonomy offering smart street-wear with leather gloves and draped-hooded jackets.

Next was Subfusco who was one of the stand-outs of the night with their futuristic collection. Key pieces included the women’s silver pants and the guys’ drop-crutch skinny trousers as well as the men’s black metallic parker. OK OK offered men and women’s basics. Guys were dressed in denim on denim – a very popular look of the night – with almost all the menswear designers using this look.

Satu was on-trend with animal print tights and leather-look bandage skirts and dresses which were accessorised with adorable backpacks and studded gloves. In their first LMFF show Vanguard presented wearable menswear. Their signature black and white Aztec graphic featured on knitwear stood-out which was especially fantastic when used for the knit pants.

Next Leonard St. mixed silk floral dresses with bright graphic jumper dresses for smart yet fun looks. From Brittan closed the show with beautiful embellished wool dresses and a striking men’s suit. Joining Subfusco they were the stand-out of the night.

The night ended on a high note with everybody out back to the courtyard for some more drinks and all freshly inspired by the talent of these young designers and full of excitement for the week to come.

Words: Jean Kemshal-Bell
Photos: Hayley Hughes

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Penthouse Mouse 2010 Opening

Wed, 01 Dec 2010 11:42:00 GMT

Penthouse Mouse is arguably Melbourne Street Fashion's most anticipated LMFF event. This year's opening proved once again why. Held in the old Naval and Millitary club, the venue was a labyrinth packed with lots of nooks and crannies and had a wonderfully retro vibe. The wood panelled bar and old squash courts added a surprising element to the mix of the designers and artists whose work was on show.

Melbourne Street Fashion's faves all showcased their impressive design talents in lovely fash-tallations that incorporated their brands aesthetic. Limedrop's popular cloud print was referenced in a puffy cloud wall installation that immediately pulled your focus to the basement floor. Trimapee's installation on the other hand was comprised of a mass of ropes – pulled from the walls - that suspended their innovative clothing and accessories like pieces of art. In contrast the lovely Estelle Deve decided to go down the minimalist route with a paired back austere window display showcasing her art deco inspired Lunar Mare jewellery collection.

Everyone we spoke to was firstly impressed with the calibre of work on display but also with just how well dressed the crowd was. Melbourne's fash pack was out in force with everything from a customised kilt to a beautifully tailored suit being worn - and that was just the men!

Words and photos: Hayley Hughes

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Street Fashion: February 2010

Wed, 01 Dec 2010 11:43:00 GMT

Street fashion from Melbourne in February 2010.

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Street Fashion: January 2010

Wed, 01 Dec 2010 19:57:00 GMT

Street fashion from Melbourne in January 2010.

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Street Fashion: December 2009

Wed, 01 Dec 2010 19:59:00 GMT

Street fashion from Melbourne in December 2009.

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Welcome to Smith St, Collingwood

Wed, 01 Dec 2010 20:00:00 GMT

Smith St Collingwood - or Fitzroy depending on which side of the road you’re standing on - could best be described as a vagabond’s paradise. A slightly rough-around-the-edges little sister to Brunswick St and perpindicular to darling sweetheart Gertrude St, the strip offers a younger variety of diversity rebellion and grunge that these others grew out of years ago.

It becomes apparent when you explore Smith St that you’ve found yourself in a piece of Melbourne that truly celebrates and embraces the eclectic. I love the discount stores (where you can find all matter of handy household items for under three dollars) the sheer plethora of pharmacies and the bakeries furniture stores and op shops smattered between boutiques and fantastic restaurants. It’s what makes this place interesting a melting pot of cultures and the coming together of all sorts of people commonly attracted to the sheer randomness.

I find myself easily spending the entire day on this particular street on my days off from work. It's here that I've spent many a morning with friends and pots of tea in the comfortable surroundings of Kent St have lost hours rummaging through vintage (and sometimes bizarre) wares at Lost& Found and have treated myself to tooth-decaying - yet too delicious to pass up - pastries from Melissa’s Cakes.

Words: Meera Sanghvi
Photos: Alastair McCann

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